警视厅里存在一支特殊的队伍，大西他们与罪犯对峙靠的不是枪支弹药或是火拼，大西也无需斗得你死我活，而主要是依靠嘴和强大的心理承受力，这只队伍简称为“SIT”，也就是我们所说的谈判专家。和犯人通过沟通协商的形式，以最小的代价拯救人质、当事人，这是SIT们的主要职责。在这支以男性居多的队伍中，有一抹亮丽的身影，那就是踩着高跟鞋，雷厉风行的宇佐木玲子（米仓凉子 饰）。但是她的到来起初并不受到男性同事们的待见，大家认为她的能力不足以扛下交涉人的重任。但随着一系列事件的展开，玲子向他们展示了自己不亚于男性的谈判能力，得到了广大同事，包括其上司桐沢圭吾（阵内孝则 饰）等人的认同……
回复 :发嫂（叶德娴 饰）独自抚养着儿子阿B（谭耀文 饰），因为先天的缺陷，这个三十多岁的男人只有着十五岁少年的智商和认识。随着时间的流逝，发嫂年岁渐长，繁重的家务和沉重的压力让她渐渐有些力不从心，祸不单行的是，一次偶然中，发嫂发现自己竟然患上了无法治愈的癌症。自己的去留并不 重要，重要的是该将懵懵懂懂的阿B托付给谁，这成为了发嫂最大的难题，就在这时，一个名叫阿May（关秀媚 饰）的年轻女子出现在了阿B的身边。然而，发嫂很快便发现，阿May对于阿B的利用大于关心，这令她十分担忧，幸运的是，阿B的忠心不二和善良纯真最终感动了阿May。
回复 :一个一门心思想怀孕的丑女人，逼得老公琵琶别抱，别觅新欢；一个想完全掌控男人的商界女强人，使得老公千方百计想翻身；一个嫁入豪门的香艳女郎，却成深闺怨妇，被怪婆婆逼得无处可逃。一个偶然，三个女人相遇，种种疯狂搞笑“驯夫计划”开始了！女权至上，老婆万岁！翁虹、阎学晶、李静……联手唱一台戏！看众美女教你如何“御夫有术”！
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
