本故事中何平一直是学校的优异学生老师眼中的好孩子，春暖同时她也是社会励志人物的榜样。现在社会上大多数人觉得没钱是件丢脸的事，春暖每个人攀比第一想到的就是钱。就是因为这样才显得何平优秀。何平家再穷何父都不愿放弃孩子，何平也从来不嫌弃。何父对孩子的爱与何平的孝顺，让这个故事更生动。也希望看过此片的父母知道，给孩子的关心不是金钱上的满足，更不是虚荣的攀比。是给予孩子关爱与正确的引导。也希望身为儿女的人们能像何平一样，不惧艰辛保持本心，做一个孝顺的孩子。何平的故事告诉我们，生在什么样的家庭我们没得选择，但是只要我们足够努力也将是别人羡慕的存在。
艾丝琳
回复 :小马（金子贤饰）和新志（安藤政信饰）是一对好朋友，他们喜欢在操场上一起踩辆单车。作为“坏学生”的他们，总是跷课闲逛、捉弄老师、欺负同学等等。有一次小马被人揍打，对方是一个经常被他欺负的学生找来的拳击手。受到打击的小马开始学习拳击，想要争口气。新志也跟着学，没想到他却更有练拳的天分。后来小马放弃学拳，加入了黑帮当小弟。而新志却发奋练习，并有所收获。等待他们的又将是什么样的未来呢？几年后，小马和新志在街头巧遇。几年间发生的事情让他们改变了不少，又似乎什么都没变，两个坏孩子再度回到昔日的校园。
回复 :Remi throws himself on the ground, listens to birds and falls asleep in hedges. Gabriel opens his stomach to the tip of a knife. They meet.
回复 :"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
