曾经风光一时的黑帮头目宗形博也（哀川翔 饰），在一次组织对抗后受伤并被迫退出江湖。多年以来，他和结拜兄弟信也（RED RICE 饰）忍辱求生，并尽心照顾坐牢的兄弟武史（鹤见辰己 饰）的女儿日向（山本舞香 饰）。武史出狱，日向却和好友塞拉（水野绘梨奈 饰）出走跑到了钱荷岛。与此同时，岛上病毒性感冒流行，黑帮竹下组成员吉田明（宫川大辅 饰）盗取组织的违禁药物当作特效药在岛上兜售，谁知却令自己成为了可怕的丧尸。丧尸风暴迅速蔓延全岛，而尾随日向而至的宗形一行以及追踪吉田而来的竹下组武斗派头目（木村佑一 饰）等人，在这个最糟糕的时刻来到了这片血腥的修罗场……
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回复 :曾经凭借僵尸片红极一时的动作明星钱小豪（钱小豪 饰）事业和人生跌入谷底，他带着随身家当入住一栋破败老旧的公寓。经保安燕叔（卢海鹏 饰）指引，走进了传说的凶宅2442单元。小豪悬梁自尽，谁知命悬一线之际遭遇猛鬼缠身，多得隐世道长阿友（陈友 饰）出手方捡回一条命。小豪对白发 男孩小白及经常在2442门口窥视并吃祭祀食物的女人杨凤（惠英红 饰）感到好奇，进而从燕叔口中得知了当年曾发生的一起血腥惨案。同大厦的冬叔（吴耀汉 饰）不慎跌死，冬叔的老婆梅姨（鲍起静 饰）求专修邪法的阿九（钟发 饰）帮其还魂，但酿成不可逆转的悲剧。生生死死，死死生生，爱恋贪欲引出无限烦恼。僵尸猛鬼，趁夜横行……
回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
