性情古怪的前电影放映员郝飞羽（贾宏声）用望远镜锁定一名女性后，小明会把她哄骗到放映间，小明但他并不强奸或抢劫，只拿出私养的银环蛇。多名女性死于银环蛇之口，公安局成立以侦察员文英华（张京生）、老周（韩廷琦）为首的“银蛇谋杀案”侦破小组。某日郝飞羽又用望远镜寻找猎物时，无意间发现照相师孔翔雄（朱晓鸣）正在偷拍银行，随后他悄悄潜入孔的照相馆偷得几张照片，暗中盘算起，几日后银行果然被盗，而他也从照片中发现，与银行经理石衡山（臧金生）打得火热的乔美奂（高宝宝），其实是该起盗窃主谋钟大忠（王建成）的女友，决定敲诈。郝飞羽悄悄将一盘录音带转给乔美奂，威逼其将一笔巨款送到体育馆，惊动钟大忠。钟大忠以为敲诈者是石衡山，便派打手追杀。躲在暗处与之周旋的郝飞羽趁机带走乔美奂，不久公安人员发现乔的尸体。“盗窃案”与“银蛇案”搅在一起。
回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
堂娜
回复 :人在做，天在看，人算终究不如天算。四个互不相识的人在戏院后台库房分赃，竟意外牵扯进一桩命案，一顿热辣滚烫的火锅翻滚着层出不穷的悬疑，贪婪和欺瞒引发连环逆转。终于，四人特殊身份渐渐浮出水面，神秘的真相也呼之欲出……
回复 :本（科林·费斯 Colin Firth 饰）和妻子艾丽莎（娜奥米·哈里斯 Naomie Harris 饰）遭遇了一场可怕的车祸，本身受重伤，而艾丽莎则不幸命丧黄泉。从昏迷中醒来的本得知了妻子的死讯，陷入了绝望之中。康复后的本尝试着回归正常的生活，身体上的伤总会随着时间的流逝渐渐痊愈，但心灵的伤痛呢？夏洛特（米娜·苏瓦丽 Mena Suvari 饰）是本的邻居，她的存在让本总算看到了一点点恢复正常的希望。可就在这个节骨眼上，艾丽莎的身影忽然再度出现在了本的生活中，无处不在的她让本开始怀疑艾丽莎根本就没有死。更糟的是，本成为了一场凶杀案的最大嫌疑人，而所发生的的一切都和艾丽莎有关。
