剧情简介
在这部现场录制的离奇类喜剧剧集中，日本私自拉客的货车司机伊万利用幽默来应对他走到尽头的婚姻，并化解日常中遇到的种种挑战。
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在这部现场录制的离奇类喜剧剧集中，日本私自拉客的货车司机伊万利用幽默来应对他走到尽头的婚姻，并化解日常中遇到的种种挑战。
陈雪君
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杨雪霏
回复 :一个收藏各类奇妙物件的博物馆，有可以将贪欲装起来的行李箱，能实现愿望的水晶球，还有将人封印在某一天的时钟。惊喜感动，高能悬疑，反转不断。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
