一个自傲的街头孤儿Seiya(新田真剑佑 饰)无意中发现了自己隐藏的力量,海军并可能是唯一一个能够保护被神秘组织头目Guraad(法米克·詹森 饰)追杀的转世女神Sienna(麦迪森·伊瑟曼 饰)的人。他能够放下自己的过去,海军正视自己注定成为一个十二 宫骑士的命运吗?
一个自傲的街头孤儿Seiya(新田真剑佑 饰)无意中发现了自己隐藏的力量,海军并可能是唯一一个能够保护被神秘组织头目Guraad(法米克·詹森 饰)追杀的转世女神Sienna(麦迪森·伊瑟曼 饰)的人。他能够放下自己的过去,海军正视自己注定成为一个十二 宫骑士的命运吗?
回复 :A miracle independent film capturing the growth of a single baby over a period of 3 years.The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion. Directed by OKITA Shuichi, known for films such as "A Story of Yonosuke” and “The Fish Tale”, the movie is a self-produced project featuring OKITA and his actor friends, documenting the life of his own daughter from 6 months to 3 and a half years old. Shot entirely with a handheld camera, the film captures the heartwarming moments of Don-chan's growth and the challenges faced by the three men in nurturing her. The film was also shot on location in Ueda City, Nagano Prefecture, where Ueda Eigeki, a local theater, recommends the movie. Don-chan's growth is complimented along with the picturesque scenery of Bessho Onsen and Sugadaira Kogen. The heartwarming world of OKITA Shuichi, where drama and reality coexist in a mysterious harmony, unfolds throughout the film. From a crying infant, Don-chan grows to a point where she can speak her lines, and everyone's affectionate watch over her brings warmth and comfort to the viewers.
回复 :New couple Na-ni and Joon-seo left the stuffy Seoul to try and start a cafe in the countryside. Behind the couple's attempt to change, they had some unspeakable worries, so they were sexless people who used their own rooms because they were not sexually compatible. Regardless of her husband's xiaokan.cc efforts to establish a relationship, her wife Na-ni has long been on an extramarital affair with her sex partner Dal-ho, who has been embroiled in a hit-and-run accident that she never thought of enjoying sex outdoors and is asked for a large settlement. Na-ni, who has been relying on her husband's financial resources since before marriage, kneels down to his victim Chang-soo and pleads for mercy, but Chang-soo, a farmer, persistently digs into her weaknesses and demands humiliating physical relationships. While Na-ni is falling into a rut for the creation of a rural village, her husband, Joon-seo, who has been complaining about his nervous wife Na-ni these days, is also beginning to open his eyes to her unique sexual orientation due to the charm of young, provocative part-timer Cheong-ah. What is the identity of Chang-soo and Cheong-ah, the farmers who are squeezing these couples, and the fate of those who are entangled like webs?
回复 :一个男人走进个黑暗世界,在陵寝般的门廊与棺材似的房间如梦游者行走。有时,声音细琐如飘溜耳际的空气;有时,它们又排山倒海狂怒袭来。胝人杀人,有人牺牲,神在哪里?什么又是这些人的罪恶与惩罚呢?通过精巧的光影控制,这片赭、褐色的世界,几乎打破黑白与彩色的分界,诗样的、冥想的,强调出亚历山大.苏古诺夫别树一帜的实验风格。厚郁的生命省思,毫无意外众多影评人视他为塔科夫斯基接班人的殷望。《呢喃语页》那个无名的"英雄",在某些层面,令人联想到塔科夫斯基的《安德烈鲁布烈夫》。汉斯-乔钦史拉格评道:本片缓慢、沈思的步调,意不在动作,而是看不见的"内心演出",以及可见的《呢喃语页》。其目的是要让观众深刻地思虑"罪与罚"这个永恒的主题,同时也触及生命中的社会、宗教意义。由此来看,这部电影不仅在刻划"十九世纪俄语文学",更在暗指这个主题和今日俄国的相似性。这是苏古诺夫对他的时代,他的传统,所做的一次联结。