剧情简介
从春天到冬天，从北到南，中国人讲究“不时不食”。在正确的时间食用正确的食物，不仅反映了中国人对于二十四节气自然律法的尊重，在其背后更有深层的文化原因。纪录电影《味道中国》通过20多个关于食物的故事，讲述了食物对于中国人不仅是果腹之物，更是礼仪的体现和感情的纽带。此部纪录电影是我国第一部在电影院上映的美食纪录片。
我落第了，但……
从春天到冬天，从北到南，中国人讲究“不时不食”。在正确的时间食用正确的食物，不仅反映了中国人对于二十四节气自然律法的尊重，在其背后更有深层的文化原因。纪录电影《味道中国》通过20多个关于食物的故事，讲述了食物对于中国人不仅是果腹之物，更是礼仪的体现和感情的纽带。此部纪录电影是我国第一部在电影院上映的美食纪录片。
槙原敬之
回复 :在电视台担任导演助理的三岛彩乃（板野友美 饰），某晚接到外出采访死亡事故的通知。他独自带着设备赶赴事发地点，见证了大学生城户勇太郎惨烈而诡异的死状。事后彩乃对该事件颇为在意，而从电视台同侪口中又得知青年的尸体颇有疑点。在此之后，彩乃见到了死者的社团同学岩登和世（入来茉里 饰），对方则声称勇太郎遭到窥视之眸的诅咒才命丧黄泉的。原来勇太郎和和世曾前往某偏远山村试胆，在那里误入某个祠堂，结果惹上了无处不在的窥视之眸，从此厄运缠身。为了一探究竟，彩乃和男友前往当地一探究竟，而他们离恐怖的泥潭越来越近……
回复 :古畑任三郎如今早已是人们耳熟能详的名侦探，他独特的中山装，永远骑着自行车的个人风格为人所津津乐道。这次SP就带我们回到他的青少年时光，看看他与一生中最重要的人相遇的故事，那是他侦探人生的起点。15岁的任三郎（山田凉介 饰）因为父母关系转学到小山区，喜爱读推理小说的他并未太主动与同学接触。一日学校的小花圃的花被人恶意践踏，任三郎找出了“元凶”，从此他小侦探的声名不胫而走。任三郎索性在后山一间空置的房屋内办起了侦探事务所。可惜前来上门的客人拜托的都是鸡毛蒜皮的小事。直到一日，有人上门拜托寻找失落的宝藏，事情才有了变化。但是随着侦查的过程，任三郎意识到自己身边开始有危险，而一切似乎都是一个局。自己平日最不信任的人在关键时刻却救了自己。
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb