剧情简介
方怡珍是一个离婚的妇人，春暖为了生活在夜总会唱歌。而女儿长大后希望能在娱乐圈工作，春暖因此她很用心教导女儿演戏心得及表情。在偶然的机会下方怡珍认识了一个年轻导演，女儿被电影公司老板赏识而成为一部新片的主角。方怡珍不顾女儿的反对与导演发展一段忘年恋，后来，电影公司老板对方怡珍的女儿提出不道德的要求，方的女儿拒绝后老板便把她的女主角位置取消了。方怡珍知道后向老板求情，对方要方用肉体交换。方的女儿及导演知道...
春暖花开有你短篇小说
方怡珍是一个离婚的妇人，春暖为了生活在夜总会唱歌。而女儿长大后希望能在娱乐圈工作，春暖因此她很用心教导女儿演戏心得及表情。在偶然的机会下方怡珍认识了一个年轻导演，女儿被电影公司老板赏识而成为一部新片的主角。方怡珍不顾女儿的反对与导演发展一段忘年恋，后来，电影公司老板对方怡珍的女儿提出不道德的要求，方的女儿拒绝后老板便把她的女主角位置取消了。方怡珍知道后向老板求情，对方要方用肉体交换。方的女儿及导演知道...
回复 :时间回溯到1979年，当时还是下乡知青的许海峰（李东学 饰），拿着一支业余气枪参加了安徽省第四届运动会并赢得了气步枪组冠军，但由于年龄超过国家规定，省射击队并没有录取他。三年后，在和县供销社上班的许海峰第二次参加了安徽省运动会的射击比赛，并再次赢得冠军，但最终还是因为年龄过大没有拿到省队录取通知。更不幸的是许海峰在工作中，为保卫国家财产，致伤双眼，险些失明。不料这时，吴全清（丛林 饰）教练却带来了省队的借调通知，去还是不去，许海峰陷入了艰难的抉择中。1984年洛杉矶奥运会上，许海峰的状态一直很好，成绩位列第一，在比赛还剩下最后三枪的时候，突然他的眼疾旧伤复发，不得不下场休息。此时的许海峰坐在休息室中百感交集……
回复 :一次交通意外，改变了汤马士的一生，皆因自他出生那天，四个来自不同背景的游魂野鬼已经伴他左右。可是成长中的汤一直过着不大愉快的童年生活，因此他们讨论后决定助汤一臂之力，令他事事顺境，结果反而弄出连串笑话。
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
