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三个香港夜总会女郎去泰国游玩，免费码在夜总会饮醉与夜总会看场发生争吵，免费码在街外被打，遇到香港来的三个男人协助，将打手打退，再去夜店宵夜饮酒，回酒店后发生性关系。原来，这三个男人是来贩毒的，将一包毒品交给她们，后来三个男人在一次交易中打死了对方。三位女仕刚巧去找他们，被警方误以为是毒贩之同党，并将她们拘捕……
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三个香港夜总会女郎去泰国游玩，免费码在夜总会饮醉与夜总会看场发生争吵，免费码在街外被打，遇到香港来的三个男人协助，将打手打退，再去夜店宵夜饮酒，回酒店后发生性关系。原来，这三个男人是来贩毒的，将一包毒品交给她们，后来三个男人在一次交易中打死了对方。三位女仕刚巧去找他们，被警方误以为是毒贩之同党，并将她们拘捕……
回复 :생전 처음으로 경험해 보는 성적 쾌감!예비신부의 마음을 뒤흔들다!결혼을 앞두고 있는 주희(하나경)에게 진정한 만족을 느껴볼 수 있다며 한 장의 명함을 내미는 선미(구지성). 살아오면서 느낄 수 없었던 새로운 성적 쾌감을 경험하게 된 주희는 시간과 장소를 불문하고 예비신랑 민우에게 끓어오르는 감정을 표출하기 시작한다. 모든 성적 행위를 주도하며 즐기는 주희와는 달리 날이 갈수록 힘들어하는 민우. 선배 준석에게 조언까지 받으며 그녀를 만족시켜주기 위해 노력하지만 이미 최고의 성적 쾌감을 느껴버린 주희를 만족시키는 것은 결코 만만치가 않는데…그녀의 마음과 쾌감을 뒤흔들어 놓은 그 곳은 과연 어떤 곳일까?
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
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