民国十九年,无码盐城。从海外学成归国的英俊青年潘子浩开了一家\"福安\"心理诊所。正当事业风生水起时,无码他的患者和助手却接连被害,自己也遭遇袭击险些丧命。\r负责案件侦破的是女探长苏玲和警察钱涛。潘子浩和钱涛是老同学,而他看苏玲也似曾相识。潘子皓利用自己的专业知识,分析出了凶手的心理特征和体貌特征,并分析凶手一定认为自己知道什么秘密,所以准备杀他灭口,而且这个秘密一定就在诊所。\r重重危险之下,事情似乎更加扑朔迷离……
民国十九年,无码盐城。从海外学成归国的英俊青年潘子浩开了一家\"福安\"心理诊所。正当事业风生水起时,无码他的患者和助手却接连被害,自己也遭遇袭击险些丧命。\r负责案件侦破的是女探长苏玲和警察钱涛。潘子浩和钱涛是老同学,而他看苏玲也似曾相识。潘子皓利用自己的专业知识,分析出了凶手的心理特征和体貌特征,并分析凶手一定认为自己知道什么秘密,所以准备杀他灭口,而且这个秘密一定就在诊所。\r重重危险之下,事情似乎更加扑朔迷离……
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
回复 :科妮(罗姗娜·阿奎特 Rosanna Arquette 饰)是博迪(桑德拉·布洛克 Sandra Bullock 饰)最要好的朋友,在一场电视访谈中,她竟然大谈特谈自己和博迪的丈夫比尔(迈克尔·帕尔 Michael Paré 饰)之间的奸情,而之后,比尔也在电视节目中承认了自己的不忠,一怒之下,博迪带着女儿波尼斯(梅·惠特曼 Mae Whitman 饰)回到了母亲位于得克萨斯州的老家。虽然是比尔有错在先,但博迪却遭到了众人的嘲笑和白眼,大家都很乐意看到曾经高高在上的校花在婚姻中灰头土脸的样子。在老家,博迪见到了自己的初恋情人贾斯汀(小哈里·康尼克 Harry Connick Jr. 饰),在博迪最黑暗的日子里,是贾斯汀给她带来了一丝丝的温暖。
回复 :萨米以为终于找到了属于自己的生活,但没想到村庄突然被一堵不祥的围墙包围。他被迫处理自己的身份和国家归属问题。一部内外交困的悲喜剧:一个人在其内心筑起一道墙,而当另一堵更真实的墙在他出生的村庄外建造起来时,他内心的这堵墙开始瓦解……