剧情简介
秦陵兵马俑，入室神秘的陶塑超级军团，入室蓄势待发，这8000余尊兵马俑被誉为世界的奇观，如今考古学家正用革新性成像技术求解这非凡之师为谁而建，勇士们将抵御何敌，而他们又守卫着怎样的辉煌瑰宝。——纪录片之家字幕组
入室 视频
秦陵兵马俑，入室神秘的陶塑超级军团，入室蓄势待发，这8000余尊兵马俑被誉为世界的奇观，如今考古学家正用革新性成像技术求解这非凡之师为谁而建，勇士们将抵御何敌，而他们又守卫着怎样的辉煌瑰宝。——纪录片之家字幕组
回复 :以亲密、奇幻和叙事驱动的方式呈现了詹妮弗·洛佩兹在音乐和视觉交织的沉浸式世界中的自我疗愈之旅。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
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