黎升铭
发表于1分钟前回复 :罗杰(克里斯托弗·沃肯 Christopher Walken 饰),查尔斯(摩根·弗里曼 Morgan Freeman 饰)和乔治(威廉姆·H·梅西 William H. Macy 饰)是三个共事多年的同事兼好友,三人均供职于一家历史悠久的博物馆。在漫长的岁月里,三个伙伴对馆里朝夕相伴的藏品产生了深厚的感情,没想到,新上任的老板居然想要将现有的藏品全部转移。于是,三个老伙计一拍即合,决定要将被送走的文物偷回来。经过一番缜密的策划,三人开始了他们的行动。可现实并没有他们所计划的那么顺利,各种各样的意外让三人手忙脚乱,好在大多数都是有惊无险。他们的计划是否会被发现呢?行动又是否最终能以成功告终?
丁小芹
发表于4分钟前回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.