四名各怀心事的男女各自来到了菲律宾，骑士期待着被这里的美好风光所治愈。在浪漫的岛屿上，骑士他们邂逅了不同背景不同身份的人，互相吸引，然后一切都朝着好的方向发展着。能力很好但树敌能力更好的证券公司CEO在赫（李善均 饰）终于在高压下准备好好释放一下自己；冰淇淋女孩秀珍（李水京 饰）生活虽然艰难却开朗乐观，攒了钱准备去岛屿来次旅行；超人气歌手家颖（柳真 饰）拥有粉丝无数，可没有空隙的日程安排让她喘不过气来，于是决定来到这个岛屿好好休息；英文专业出身的应届毕业生正焕（李民基 饰）面试时总败在英语上，无业游民的他来到小岛想要好好调节一番。四个人，聚集在这座热带小岛，会发生怎样的交集，擦出什么样的火花呢？
黄丹仪
回复 :1944年，人工制品被用于军事实验。文物是前哥伦布时期的神Tahawantinsupay的execution子手Anhangá的面具。体验失败。如今，面具到达圣保罗。面具拥有身体，并开始报仇，以报复上帝的化身，开始洗礼。女警察比阿特丽斯·奥贝迪亚斯（Beatriz Obdias）负责这些罪行，挑战了她的信念。圣保罗市一部真正的神秘电影。
孙笑一
回复 :本片改编自杰森·法冈在《赫芬顿邮报》发表的文章 ，讲述了一桩真实故事：退休的杰瑞·塞尔比发现了马萨诸塞州彩票中的一个数学漏洞，在妻子玛吉的帮助下，赢得了2700万美元。他们用这笔钱振兴了自己的密歇根小镇。
庄振凯
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
