《麦克法兰》根据1987年的真实故事改编,区视频科斯特纳扮演的教练来到一个穷困无比,区视频尘土飞扬,居民多为拉美裔的农业小镇,将那里的高中生们变成越野赛跑健将,给自己,也给小镇带来希望。
《麦克法兰》根据1987年的真实故事改编,区视频科斯特纳扮演的教练来到一个穷困无比,区视频尘土飞扬,居民多为拉美裔的农业小镇,将那里的高中生们变成越野赛跑健将,给自己,也给小镇带来希望。
回复 :故事发生在红军长征离开后的江西苏区。少年潘冬子(祝新运 饰)的父亲响应号召,参加红军抗击敌军去了,只剩下母亲与东子相依为命。母亲也是抗敌的积极分子,从小耳濡目染的冬子虽然只有11岁,也立下了决心长大参加红军对抗日军。一天,反动地主胡汗三前来捉拿东子的母亲,眼看形势危急,冬子妈决定留下来掩护其他群众撤退。在连扔两枚手榴弹砸死多名敌人后,冬子妈亦英勇就义。目睹了妈妈被敌人杀害的惨况,冬子决心用自己的力量为母亲报仇。冬子开始用自己的机智与勇敢与敌人周旋,暗中帮当地的游击队送盐送信。通与敌人的斗争,冬子渐渐成长,替母亲报仇的时刻也终于来到。
回复 :网络大电影青春喂了狗2-《不一样的烟火》延续《青春喂了狗1》校园青春的路线,主要讲述一群体育特长生在豆蔻年华中情窦初开、为了梦想而奔跑的故事。通过“田径跑步”、“跑酷”等运动元素,给青春片注入了更多的活力和激情……
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.