剧情简介
大學副教授艾蜜莉遭不明人士綁架，截稿被丟進一個時間持續倒數的密室中，截稿她的記憶喪失，更別說是被綁到這裡的原因。驚恐又充滿疑惑的她，在牆縫發現一個寫有日期的火柴盒，裡頭還夾了一支鑰匙，艾蜜莉意外地對這些東西感到熟悉，但上頭的日期究竟是什麼意思？鑰匙又是拿來開啟何物？艾蜜莉得把握時間趕快找回記憶才行。
截稿
大學副教授艾蜜莉遭不明人士綁架，截稿被丟進一個時間持續倒數的密室中，截稿她的記憶喪失，更別說是被綁到這裡的原因。驚恐又充滿疑惑的她，在牆縫發現一個寫有日期的火柴盒，裡頭還夾了一支鑰匙，艾蜜莉意外地對這些東西感到熟悉，但上頭的日期究竟是什麼意思？鑰匙又是拿來開啟何物？艾蜜莉得把握時間趕快找回記憶才行。
回复 :新銳演員韓寧與曾榮獲北影最佳新演員的余佩真主演，與被稱為「推理鬼才」導演文二北投，將整部作品皆遊走於現實與虛幻之間。余（韓寧 飾）被新政權指控隱瞞叛軍所在地後展開逃亡。被追捕的當下，僅存的逃生方式，就是找到願意幫助她整容並協助逃脫的神祕女孩蓮（余佩真 飾）。但跟蓮相遇後，余卻因為蓮不可思議的能力和迷人的個性不可自拔，陷入了一個難以區分虛實的奇幻世界......。
回复 :远离尘嚣的一座封闭谷仓内，安娜（劳拉·范德沃特 Laura Vandervoort 饰）、赖安（保罗·布朗斯坦 Paul Braunstein 饰）、米奇（曼德拉·范·皮布尔斯 Mandela Van Peebles 饰）和卡莉（布列塔尼·艾伦 Brittany Allen 饰）从昏迷中醒来。他们的头部被奇怪的装置束缚，颈上的铁链连接着安装了圆锯的铁门。在竖锯的指示下，他们将经历一场场痛彻骨髓的生死考验，并在死神的屠刀面前低头认罪。繁华都市中，以各种方式惨死的尸体接连出现，共同特征全部指向了拼图杀人案的制造者——本该在十年前死去的竖锯约翰·克莱默（托宾·贝尔 Tobin Bell 饰）。竖锯不死，给予背德者以至痛的责罚和审判……
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
