剧情简介
宋朝年间一众爱国人士用踢球对抗奸臣外敌，论坛皇亲贵胄、论坛土匪山贼、武林高手纷纷出镜，组成史上最多元球队，怀抱国仇家恨完成了中国历史上第一次国际球赛。祥云国奸臣当道，远方异能战队来袭，为避免割地求和，朝廷召集中原各大门派掌门联手，与鹰爪盟超能蹴鞠队决一死战。
杏吧论坛春暖花开
宋朝年间一众爱国人士用踢球对抗奸臣外敌，论坛皇亲贵胄、论坛土匪山贼、武林高手纷纷出镜，组成史上最多元球队，怀抱国仇家恨完成了中国历史上第一次国际球赛。祥云国奸臣当道，远方异能战队来袭，为避免割地求和，朝廷召集中原各大门派掌门联手，与鹰爪盟超能蹴鞠队决一死战。
回复 :本片的主人公是一名地铁剪票员（内田裕也 饰），他对乏味的工作感到厌烦却又无力改变。他有一个普通平凡的家庭，育有一子一女，生活过得平平淡淡。在一个暴雨夜里，他救了一名险被强奸的少女，两个人因此而相识，他内心的欲望被唤醒，他的生活也因此悄悄发生了改变。有一天，在他准备了所有作案工具后，他跟踪一名年轻漂亮的独居女性回家，得知她住处后，在夜里潜入她公寓实施迷奸。以后一到夜里，他就先用药物将她迷晕，再潜入家里对其进行迷奸，而且还替她准备早餐，帮她打扫房间。后来他开始潜入多个独居女性的公寓，迷奸后还给昏睡的她们一一拍照留念。他剪短了头发，辞掉了工作，用照片来记录少女裸露的身体姿态……
回复 :本片是导演大卫·道金、《宿醉》编剧乔恩·卢卡斯联合制作的最新喜剧作品。整部影片的拍摄周期只用了62天，在英国的片名叫做《与孩子见面》。Dave（杰森·贝特曼 Jason Bateman 饰）是一位成功的家庭男人，有可爱的孩子 和迷人的老婆（莱斯利·曼恩 Leslie Mann 饰），每日埋头工作，照顾家庭。而长相英俊的Mitch（瑞恩·雷诺兹 Ryan Reynolds 饰）则是一个花花公子，夜夜笙歌与姑娘们鬼混。两人渐渐对自己现有的生活感觉厌倦，想尝试下彼此的生活。两人对着喷泉里“女神”讲出了“我想要你的生活”的愿望。怎料第二天愿望就在这样实现了。藏在Mitch的Dave能和性感的Sabrina（奥利维亚·维尔德 Olivia Wilde 饰）约会，而藏在Dave身体里的Mitch只好目睹他美貌老婆却什么都不能做……
师洋
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
