公元700年盛唐时期，春暖中国同阿拉伯及中东在经济、春暖文化上有许多交流，西域的丝绸之路是相互来往的要道，为捍卫其完整，唐朝军队不断与突厥对垒。戍边校尉李（姜文）因不愿屠杀突厥的老人、妇女和孩子俘虏触犯军令成为通缉犯，为缉捕他，皇帝封屡请回国的日本遣唐使来栖（中井贵一）为捕快，并许诺只要能将校尉李捉拿归案，便可满足其回国心愿。其时战事正值严峻，来到西域的来栖又受托护送将军之女文珠（赵薇）回长安，中途他遇见校尉李，一场大战后，两人不分轩轾，相约长安城下再决生死。不久，他们碰上护送经书的朝廷商队及觊觎驼队的响马子安（王学圻），生死大战蓄势待发。
回复 :
回复 :Broken, desperate men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor risks everything to help them.
回复 :This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.comments from imdb:This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.15 out of 10 and then some. 10/10Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
