百年前仙魔大战万兽屠城,午夜仙剑门祖师爷与魔族首领幽皇大战七天七夜,午夜最终以幽皇惨败逃走告终。百年后,张之霖成为仙剑新掌门,以能斩杀魔王的紫青双剑为饵引幽皇现身,却发现镇上邪尸横行,女人全都离奇失踪。仙剑门御剑下山救助百姓,意外撞破魔族以蛊害人,幽皇吸食女人精魄练就神功的阴谋。为斩尽邪魔拯救苍生,仙剑门布下天罡北斗阵迎战魔族入侵,张之霖携掌门夫人向复仇而来的幽皇发起了最后的反击!
百年前仙魔大战万兽屠城,午夜仙剑门祖师爷与魔族首领幽皇大战七天七夜,午夜最终以幽皇惨败逃走告终。百年后,张之霖成为仙剑新掌门,以能斩杀魔王的紫青双剑为饵引幽皇现身,却发现镇上邪尸横行,女人全都离奇失踪。仙剑门御剑下山救助百姓,意外撞破魔族以蛊害人,幽皇吸食女人精魄练就神功的阴谋。为斩尽邪魔拯救苍生,仙剑门布下天罡北斗阵迎战魔族入侵,张之霖携掌门夫人向复仇而来的幽皇发起了最后的反击!
回复 :本片改編自俠義小說《七俠五義》,人物繁多,情節多變,難得張徹處理得有條不紊,角色性格分明。故事講述襄陽王(艾飛飾)在王府中建造機關密佈之沖霄樓,又廣招花蝴蝶花沖(鹿峰 飾)、神手大聖鄧車(王力 飾)和小諸葛沈仲元(龍天翔飾)等江湖俠士加盟,以謀造反。包公洞悉襄陽王叛跡,乃命門生顏春敏(孫建飾)前往�{查……沖宵樓的機關設計,險象橫生,配合新一代張家班的熟練合作,拍出奇詭精妙的動作效果,耳目一新。1982年张彻大导演的作品《冲霄楼》,乃改编自侠义小说《七侠五义》,情节精彩万分,角色性格分明。其中当年新扎的武打小生钱小豪,获得导演张彻的赏识,在电影中有精彩的演绎。由郭追,钱小豪、鹿峰、王力、龙天翔和孙建主演,片中冲宵楼的机关设计来对付英雄人物险象横生,且拍摄精彩,值得电影迷收藏。
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
回复 :影片以一个小男孩的视角描写了东欧“二战”期间的悲惨景象。小男孩的父母把他送到乡下避难,但与他失去了联系。男孩开始在各个村庄之间流浪。因为他的黑头发、黑眼睛,村民认为他是吉卜赛人,会给村子带来不祥,以各种方式折磨他。他曾被埋在土里,只有脑袋露在外面,乌鸦将他啄得伤痕累累。他目睹人们在暴力、堕落和无知的牢固链环中彼此吞噬。当他躺在铁轨上,让火车从自己身上呼啸而过,他体会到的只有饱受凌辱却依然幸存的快乐。影片在黑白光影下呈现出绝美的视觉质感,一出战争浮生录在魔幻的视角下就此展开。