名不见经传的小刑警孙大圣（王千源 饰）出生入死在追查案件的第一线，重口在平凡无奇的一天，重口他突然听说与之有交情的汽车修理工赵勇强跳楼自杀了。赵勇强此前租住一处拆迁房，但拆迁房一夜被人强拆，他和儿子不仅被赶了出来，连预付的租金都打了水漂。在此之后，赵带着儿子找到地产开发商泰华集团总经理赵泰（包贝尔 饰），结果却遭受了殴打和羞辱。在此之后，孙大圣试图调查此事，却遭到泰华集团乃至警方内部的阻挠，而赵泰试图收买他的行为更激怒了耿直倔强的孙大圣。专横跋扈的赵泰为了摆平这件事，不惜采用各种龌龊肮脏的手段，正邪之战正式拉开帷幕……
张蓉蓉
回复 :豪尔（威廉·霍尔登 William Holden 饰）和艾伦（克里夫·罗伯逊 Cliff Robertson 饰）是大学时代的好友，艾伦是衔着金汤匙出生的富家公子，毕业之后，豪尔决定投奔艾伦那个有钱的父亲，希望后者能够给自己提供一份工作。老友相见双方当然都非常的高兴，除了艾伦，豪尔还结识了艾伦的女友梅姬（金·诺瓦克 Kim Novak 饰）。梅姬是小镇上最漂亮的女人，豪尔看到她的第一眼就被深深的迷住了，而梅姬也为豪尔幽默的谈吐和绅士风度所倾倒。是选择家境丰厚的未婚夫还是令自己心动的真命天子，梅姬此刻站在人生的交叉路口前。最终，梅姬放弃了理智，追随了内心。
回复 :拉丁美洲盛行“哭泣的女人”拉洛罗娜的民间传说。曾经在危地马拉对当地土著人实行种族灭绝的退役将军恩里克如今被提起刑事诉讼；患老年痴呆症的将军越来越频繁地听到夜间有女人哭泣之声而产生日益严重的幻觉。虽然受到包庇而无罪释放，愤怒的民众却包围了他的住所，而随着一位神秘女仆的到来，诡异的拉罗罗娜诅咒正在一步步应验。
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
