著名导演阿贝尔·费拉拉日前透露他将拍摄一部关于天主教方济嘉布遣会神父、精国受圣伤者、精国圣人毕奥神父的传记影片，并选中Shia LaBeouf作为主角。而导演的多年好友Willem Dafoe也会出演一个角色。费拉拉在采访中称，“我们正在准备拍摄一部关于比奥神父的电影，将聚焦一战后的意大利。如今比奥神父已被追认为圣人，并是著名的受圣伤者。而他也身处一段世界史风云变幻的时代，在他成为一位知名的圣人之前也曾是个年轻的僧侣，这个形象将由Shia LaBeouf扮演。”费拉拉称影片将于十月末在意大利的普利亚大区开拍。这是一部比他近年的任何作品都更宏大的影片，也是他策划了数年的心血之作。
回复 :凯拉因脸重伤而被送到医院，她告诉警方，她跟汤姆，盖瑞，蒂娜及艾丽卡五人看到分类广告而前往一座豪宅进行实验，但没想到这是一个陷阱，陆续有人遭到杀害，他们死亡的样子就跟凯拉画中的人物一样，而凯拉不断地看到异象，存活下来的人也彼此心生怀疑，最后只有凯拉一个人活了下来.... 但是警方查证过她的说法却毫无所获，认为凯拉是精神异常而编出这些谎言，事实上凯拉有著双重人格，而这一切都是出自另一个她之手。
回复 :Soo-kyung is a news reporter with a troubled past. Back then when she was a teenager, she and her best friend Min-soo wanted to go to a park, but there Min-soo disappeared without a trace. Soo-kyung felt responsible and decided to become a journalist, to investigate the case on her own. But until now she has found no sign of her friend. One day, she gets a call from her childhood-friend Min-gook who insists that he saw Min-soo. Soo-kyung doesn't believe him at first, but finally she is able to meet Min-soo again. Min-soo in return confirms her identity and also recognizes Soo-kyung, but she behaves totally different. Soo-kyung feels that something is still terribly wrong and everything points to Min-soo's boyfriend Dong-min.
贯家郡
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
