不知从什么时候起，全黄国宝熊猫迅速在繁华都市的大街小巷流行开来。最为特别的是，全黄肩头扛着熊猫玩偶的男人女人出现在城市的每一个角落，引来引论纷纷。热爱《名侦探柯南》的少年艾泽乐希望弄清熊猫人的真实身份，功夫不负有心人，他终于从美术馆馆长那里得知熊猫人的秘密。原来美术馆策划了一个修建养老院的公益活动“让熊猫飞”，熊猫人正是这项活动的特色内容之一。艾泽乐受邀担任“让熊猫飞”的主持人，他走访这座城市中认识与不认识的人，号召大家参与进来，并见证着不同的人对该活动的态度。最终，这个充满想象力的活动能否开花结果？
冯磊
回复 :女学生瓦伦丁（伊莲娜·雅各布 Irène Jacob饰）是个兼职模特，男朋友远在英国。尽管她非常珍惜这段感情，却无法阻止男友对自己的猜忌。退休法官（简-路易斯·特林提格南特 Jean-Louis Trintignant饰）年轻时经历过铭心刻骨的情伤，爱人的背叛让他不再相信这个世界。唯一的乐趣，就是窃听邻居的电话，看人与人之间是如何充满欺骗。认识瓦伦丁之后，他冰封多年的情感开始融化。法律系学生奥古斯特（简·皮埃尔·洛里 Jean-Pierre Lorit饰）前程锦绣，却不得不面对恋人感情的出轨。他决定前往英国一段时间，以摆脱痛苦的心情，在客轮上遇到了同往英国寻找男友的瓦伦丁。轮船遇到强对流天气，暴风雨过后电视新闻上播放着轮船遇险的消息。一百多人罹难的同时，瓦伦丁和奥古斯丁双双幸存，他们觉得对方似曾相识……
马浚伟
回复 :在严父干涉之后，13岁女孩莉莉放生了爱犬哈根使之成为流浪狗之后想重新找回爱犬的莉莉会发生怎样的故事呢？\r《白色上帝WhiteGod》片名致敬了《白狗WhiteDog》，拍摄过程中使用了创纪录的274只狗，这些狗大多来自流浪动物救助中心。《白色上帝》首映于2014年戛纳电影节一种关注单元，获得了该单元最高奖一种关注大奖。
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
