降妖大师燕赤霞经过多年修行，刀锋消除了体内赤狼的恶性，刀锋并将其转生为小狼女。自此两人珠联璧合，不断行走四方为民除害。这日，千年古镇月灵山庄一夜之间消失不见，朝廷怀疑是山中天蝎怪兽所为，遂命燕赤霞与”斩妖司“夜天青一同前往查探。虽然燕赤霞与朝廷及夜天青恩怨已久，但为民除害义不容辞。燕赤霞等人几经周折，终于找到被隐形结界的月灵山庄。在进一步寻找天蝎怪兽的踪迹时，却遭到山庄村民的阻止。燕赤霞察觉事情蹊跷，潜伏村中继续查探。同时，他对小狼女的暗生情愫不为所动。而夜天青则被幕后始作俑者黑袍所蛊惑，与燕赤霞间关系逐步恶化。不久，燕赤霞发现整个事件背后的秘密，经过一番争斗，将天蝎怪兽封印，并最终摧毁了黑袍覆灭长安城的阴谋。可是小狼女却不幸牺牲，令燕赤霞抱憾终生。最后，燕赤霞与夜天青冰释前嫌，合力为民除害，保天下太平。
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 :小津安二郎导演第二十七部电影，只用了九天便拍成，算是融小津各种拍摄手法于一炉的作品。诸如惯用的低视角、特写画面等等，都在本剧出现了。表面上是当时流行的新派戏剧题材──女性为男性奉献牺牲，但实际上则是隐含了很禁忌的话题：女主角千佳子实际上是个参与地下社团的份子。只不过因为这个话题太禁忌，在演出时也不能演得太明显。1933年作品，黑白默片，片长四十七分钟。
回复 :“五毒天罗”乃五毒教镇教之宝，万毒之王，但因其威力太大，一旦为别有用心之人所据，必将为害巨大。为此，第七代教主将其埋在地下，以绝后患，转眼便过去百年。某年，武林中人约定中秋齐聚五台山，希望通过比武决出武林盟主。而就在此关头，五毒天罗惊现世间的传闻不胫而走。为了一探究竟，武当派派出了门下弟子飞英雄（岳华 饰）和飞英杰（王钟 饰）前往福建。英雄途中偶然搭手救助一名小乞丐，岂料对方正是五毒教教主（王侠 饰）之女素素（井莉 饰）。素素得知五毒天罗的传闻，连忙赶回五毒教询问父亲，谁知却将五毒天罗真正的藏匿之处泄露出去。一时间武林大乱，江湖上风云再起……
