石青村的村长王村长给女儿小雅安排相亲。经历了相亲后，最惨小雅忍无可忍，最惨和母亲摊牌，表示自己和同村的韩季灵已经恋爱三年。母亲勃然大怒，坚决反对两人，小雅摔门而出。盗墓贼孟云飞和张洪林来到石青村盗墓，一夜未果，决定到村里收点古董。两人来到村里吃饭，认识了村里饭店的老板薛卫国，于是向薛卫国打听村里的宝物，得知王村长家有一块古玉后，两人前往村长家骗玉。小雅和韩季灵见面，痛诉了一上午的遭遇并和韩季灵约定好明早私奔，韩季灵半信半疑的答应了，而他们的对话，被默默喜欢小雅的薛卫国听了个真切，薛卫国决定阻止他们。韩季灵和小雅，两个盗墓贼，村民，三伙人在村里演出了一场闹剧。最后，韩季灵用智慧战胜了盗墓贼，保护了村子
回复 :Darren一心只想向他的男友求婚 點解咁多阻滯
彩虹
回复 :十六岁的帕蒂（克里斯蒂娜·里奇 Christina Ricci 饰）正值叛逆的年龄，个性高傲的她谁都不放在眼里，唯一在乎和喜爱的是自己饲养的一只名叫“DC”的宠物猫。每当夜幕降临，生性自由的DC都会偷偷地溜出门外，一次误打误撞之中，它竟然光顾了一宗绑架案的案发现场。受害人将DC看做了最后一根救命稻草，将刻有求救信息的表留在了DC的身上。很快，帕蒂就发现了神秘的求救信号，她将这一消息报告给了当地的警局，却被当做是恶作剧给赶了出来。一气之下，帕蒂来到了波士顿寻找FBI警探，为了打发这个小鬼头，警局任命糊涂警探瑞吉（Doug E. Doug 饰）负责此案，一男一女一只猫开始了他们惊心动魄的大调查。
四方果
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
