电影《贴身女保镖》讲诉的是主人公宋彦祖从懵懂无知的大龄男青年逐步成长为坚毅、欧美稳重、欧美有担当的男人的故事。影片中，宅男宋彦祖在机缘巧合下遇见了复活过来的人偶——美少女米娅，米娅认为阿宅是自己的主公，对其言听计从，并对阿宅暗生情愫。而阿宅却始终爱慕公司同事冰冰，在冰冰的窘境中屡次献殷勤终获芳心，这时冰冰发现米娅的存在十分气愤认为阿宅脚踏两条船欺骗感情。阿宅当着两女面前，讽刺米娅并让其离开自己的生活。电影《贴身女保镖》是由福建全景视觉数码科技股份有限公司、北京奇树有鱼文化传媒有限公司、北京艾克斯平方文化传媒有限公司联合出品，北京溢彩影视文化传媒有限公司独家发行。制片人崔嵬、符頔、徐飞;监制刘慧、徐亮;徐飞执导;编剧叶青、陈永胜;孔庆冰、段昕念、于泽文、裴子添联袂出演。
回复 :Jennifer Shannon (Lori Loughlin) has a gift for finding rare treasures hidden in garage sales that she can resell at her consignment store, Rags to Riches. But her keen eye for finding valuables also gets her involved in the criminal investigations that happen at the very second-hand sales she frequents. When Jennifer's friend and self-storage facility owner Martin (Michael Kopsa) turns up murdered-just hours after auctioning off an abandoned storage unit full of unique items to Jennifer-she is immediately pulled on the case as a key eyewitness. Working with Detective Lynwood (Kevin O'Grady), Jennifer helps single out a disgruntled customer as the prime suspect, while she and her business partner, Danielle (Strange), sift through boxes from the auction. As her husband Jason (Bacic) worries about her safety, Jennifer starts to get over her head when there is a break-in at her store, and a run-in with Martin's angry wife. Then, Jennifer and Danielle discover their new merchandise contains the sparkly evidence they needed all along to nail the surprising real culprit, and they must race to save a life-and put their own on the line.
张继
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
林冰冰
回复 :伦敦巴拉德街区的一群小混混莫斯、丹尼斯和卡文等人在夜色中打劫了女护士萨姆，正在他们作案时，一不明生物从天而降，将莫斯咬伤，萨姆趁机逃脱愤怒的莫斯将这只非猿非犬的小生物杀死，带着尸体拜访种植大麻的朗与高帽等人，在得知该生物可能是外星来客后，莫斯萌生了赚钱的念头，但在他们出门后形势急转直下，先是天空降下大批体型庞大的同类生物，而后莫斯又被萨姆带来的警察逮捕，一番混乱中，莫斯与同伴逃出，因为半路冲撞了高帽的车子不得不躲在萨姆家中，以此避开外星怪兽、高帽和警方的追踪。莫斯率领众伙伴试图保卫街区但只能在怪兽的追逐下亡命奔逃，而且更糟糕的是，这些怪兽的主要目标似乎是杀死了小怪兽的莫斯……
