剧情简介
影片讲述保安迭戈·马丁内斯头天上班，产目在地区医院停尸房内的一个晚上，经历了人生中最可怕的夜晚。
_产目拍亚洲精品区区
影片讲述保安迭戈·马丁内斯头天上班，产目在地区医院停尸房内的一个晚上，经历了人生中最可怕的夜晚。
回复 :唐玄宗（刘长纯 饰）生命垂危之际十分想念曾经深爱的贵妃，希望找到画圣吴道子（午马 饰）替自己画一张贵妃像，以解思念之苦。青年画师唐安州（许凝 饰）就此踏上了寻找吴道子的旅途，一路来到青羊镇，在客栈遇见了一位穿着邋遢疯癫的老乞丐。种种迹象表明，老乞丐其实隐瞒了自己的身世，而他的真实身份，应该正是遁世的吴道子。为了引蛇出洞，唐安州设下了重重计谋，却总是被聪明绝顶的老乞丐和客栈掌柜红绛（郭珍霓 饰）耍弄，颜面尽失。最终，唐安州掌握了红绛身世的把柄以此相要挟，无奈之下，老乞丐只得将唐安州领到了一处坟前，告诉唐安州，坟中埋葬的正是吴道子。
回复 :Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
棉花糖
回复 :去年导演Peter Greenaway有来香港出席HKIFF, 当然一如过去, 都有捧Nightwatching场. Nightwatching已经是比较容易明白的了, 相比起A Life in Suitcases和一系列的The Tulse Luper Suitcases. 近年多放时间在舞台上的Peter Greenaway, 电影集中描写Rembrandt及他创作油画The Night Watching的过程, 美不胜收, 拍摄手法完美得令人醉倒.这回又是Rembrandt, 怎可错过Rembrandt's J'Accuse属essayistic documentary, 即剧情纪录片. 又一次被对导演杀个措手不及. 有观众离场(好像他的电影总是这样, 有人会钓鱼, 有人顶唔住... ), 虽然没想过此片会是这个形式, 但又是十个惊喜, 不少啼笑皆非的地方.导演这回对油画The Night Watch来个地毯式搜查, 幽默又批判地评论现今视觉艺术知识的无知. 油画上三十四个人物差不多都被细致地分析、研究. 人物的高度, 背景, 手, 甚至身体器官都细谈一番, 某程度上甚具娱乐性.配乐和他的其他作品一样, 依然震撼. 这回由作曲家Giovanni Sollima及Marco Robino负责.第一次在银幕上多次见到Peter Greenaway以教授式解说. 很值得一看.
