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Scot想要从歹徒手中救出妹妹，日欧却遭人陷害，日欧被控谋杀，被处以死刑。一位疯狂科学家把Scot的大脑植入大猩猩体内，Scot以大猩猩的身躯复活，开始他的复仇...
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Scot想要从歹徒手中救出妹妹，日欧却遭人陷害，日欧被控谋杀，被处以死刑。一位疯狂科学家把Scot的大脑植入大猩猩体内，Scot以大猩猩的身躯复活，开始他的复仇...
五月天
回复 :江湖中，两个武林世家的争斗绵延数百年，直到其中的悲笛家出现了一位刀法高超的武士（张东健 饰），他血洗敌方铲除了自己师父（狄龙 饰）的心头大患，杀戮之后的武士选择归隐，他带着敌人家最后血脉的一个婴儿，在师父为了惩罚其背叛而派遣的层层追兵中远赴美国西部。在荒凉的西部小镇，武士继承了朋友的洗衣店，封印了刀鞘的武士开始努力融入普通人的生活，当地马戏团的飞刀女郎琳恩（凯特?波茨沃斯 Kate Bosworth 饰）被匪帮杀害了双亲，大难不死的姑娘从此苦练飞刀试图报仇，相似的昔日经历让武士和琳恩变得亲近，教授琳恩功夫也成了武士劳作之余最主要的活动。不久，匪帮再次侵袭这个小镇，在武士的组织下，昔日的神枪手罗纳德（杰弗里?拉什 Geoffrey Rush 饰）等居民准备与匪帮决一死战。而武士恩师亲自带队的追杀集团，也在全速向这里赶来……
回复 :第二集中，尼奥（基努·里维斯 Keanu Reeves 饰）没有能从内部摧毁“母体”，他的身体在真实世界的飞船上陷于昏迷，思想却被困在介于“母体”和真实世界的中间地带，这个地方由“火车人”控制。墨菲斯（劳伦斯·菲什伯恩 Laurence Fishburne 饰）和崔妮蒂（凯瑞-安·莫斯 Carrie-Anne Moss 饰）等人知道了尼奥的情况，在守护天使的带领下， 找到了“火车人”的控制者梅罗纹奇，经过一番激斗，将尼奥救了出来。此时，电子乌贼部队对锡安发起了猛烈的攻击，人类组织所有机甲战士展开顽强的抵抗，形势危在旦夕；尼奥和崔妮蒂驾驶了一艘飞船克服重重困难，到达机器城市，尼奥终于见到了机器世界的统治者“机器大帝”，双方谈判并达成了协议：尼奥除掉不受“母体”控制的史密斯，以换取锡安的和平。在“母体”中，尼奥和史密斯展开了关系人类生死存亡的最后决斗。©豆瓣
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
