剧情简介
在香港读书的少年叶问，灭证意外卷入英国斯塔克集团绑架中国女人走私到海外的人口贩卖大案，灭证叶问挺身而出怒打洋人，三战英国巴顿勇士，以咏春捍卫被践踏的国人尊严。
灭证大追杀
在香港读书的少年叶问，灭证意外卷入英国斯塔克集团绑架中国女人走私到海外的人口贩卖大案，灭证叶问挺身而出怒打洋人，三战英国巴顿勇士，以咏春捍卫被践踏的国人尊严。
陶红
回复 :二十七岁的厌世保险员阿良（傅孟柏 饰）一天到晚都在想要怎么死，生命对他而言只是不停重复跳针，直到某天捡到日本文豪三岛由纪夫的遗作《性命出售》才想通….就算要关门大吉，也应该先来个清仓大拍卖！可是没想到这条命在网上竟然乏人问津，就在他心灰意冷之际，阿良得知邻居陈瑜真（曾之乔 饰）的儿子命在旦夕需要心脏移植，正当他犹豫是否捐出心脏时，一位美女总裁沉晶（蔡淑臻 饰）开出天价要买阿良的命做人体实验，同时又冒出一位黑道老大派出杀手鬼臂（李铭忠 饰）绑架了他父母威胁他卖命。阿良没万万没料到他一文不值的生命，现在竟然大家抢着要！但命就一条，阿良要如何全身而退呢？
回复 :琛仔（古天乐饰）、紫少（雷宇扬饰）和长发（丁子峻饰）是广播台灵异节目的当红主持人。老板（谷德昭饰）为达收听率不择手段，没有告知三人当年有人因为作该节目暴毙的事。一日三人夜晚作节目时接到一个名叫Anita（李蕙敏饰）的少女打来的电话，诉说痛失男友的痛苦。不耐烦的长发让Anita想不开就去跳楼，结果Anita就范。此后，三人身边开始不断出现怪事，情况也越来越凶险......
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
