20世纪50年代，生命小男孩英格玛（Anton Glanzelius 饰）和体弱多病的妈妈（Anki Lidén 饰）、生命经常欺负自己的哥哥以及心爱的小狗，住在瑞典某个平静的小镇上。他的父亲离家而去，母亲又长年为疾病所困扰。两个小男孩根本不能融洽相处，经常在家里打得沸反盈天。 不堪其扰的母亲决定将他们分别送到亲戚家寄养。如小狗一样被赶出家的英格玛，却由此见到了另一片广阔的天空……本片荣获1987年丹麦影评人奖最佳欧洲影片奖、1988年波士顿影评人社团奖最佳外语片奖、1988年金球奖最佳外语片奖、1987年西雅图国际电影节最佳影片奖、1986年瑞典金像奖最佳男主角（Anton Glanzelius）和最佳影片。
回复 :民国四十五、六年间在台湾经济还没有出现转机，农村生活普遍贫穷的那个年代，阿吉的出世，无疑是把辛苦挣扎着求生的父母，逼项命运黑暗的角落。父亲为了他的幸福，要他坐以待毙，母亲为了爱他，宁愿牺牲自己，阿吉悲惨，屈辱地被当成家庭的包袱，从小被残酷的命运一脚一脚踢大。伤痕累累，却异常的坚强。阿即对创造自己的未来，有着一股强悍的自信与耐力。他虽然爬着度过他的人生，却不肯把书过走在他身边的人。
方季惟
回复 :苏菲（阿梅丽娅·华纳 Amelia Warner 饰）和艾利克斯（肖恩·埃文斯 Shaun Evans 饰）是一对来自英国的夫妻，两人正在风景壮阔美丽的澳大利亚进行一场自驾旅行。途中，他们遇见了一位名叫泰勒（斯科特·麦克洛维茨 Scott Mechlowicz 饰）的美国男人，泰勒和夫妻两人一起结伴前行。随着时间的推移，泰勒显露出的奇怪举动让艾利克斯开始后悔邀请他一同上路了，不仅如此，泰勒和苏菲之前似乎还产生了化学反应。一天夜里，艾利克斯离开了，苏菲在感到担心的同时竟然也有一丝的释然，实际上，她和艾利克斯之间的关系并没有看上去的那么亲密。就这样，苏菲和泰勒继续他们的旅途。
回复 :When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.
