黛西（朱莉娅·罗伯茨 Julia Roberts 饰）一直希望能够通过婚姻来改变自己生活的境遇，哪知道金龟婿不是那么好钓的，在梦想成真之前，她必须学会躲避种种陷阱。凯特（安娜贝丝·吉什 Annabeth Gish 饰）过着自食其力的生活，为了赚钱做着临时保姆的兼职，哪知道竟然在误打误撞之中爱上了男主人。娇娇（莉莉·泰勒 Lili Taylor 饰）想要充分享受恋爱里的甜蜜和幸福，却不愿意承担婚姻所带来的重负和责任，这让娇娇的男友十分苦恼，他一心想要和娇娇携手步入婚姻的殿堂。这三个性格迥异的女孩聚集在神奇披萨屋内，成为了那里的女服务生。在探索人生道路的途中她们互相作伴，互相开解，并且最终都寻找到了生命中真正重要的东西。
回复 :本片分上下两集，讲述了位于湘、粤、桂三省交界处的芙蓉镇上，人称“芙蓉姐”的漂亮女人胡玉音（刘晓庆）在“四清运动”及“文化大革命”中的遭遇。1963年，凭着热情周到的服务，胡玉音与丈夫桂桂（刘利年）经营的米豆腐摊子前渐渐成为早市上最热闹的一道风景，加上夫妻俩省吃俭用，手中积攒了一 笔数目可观的财富。镇党支书也是胡玉音干哥的黎满庚（张光北）、粮站主任谷燕山（郑在石）及乡邻们都为他们高兴。当他们盖好新房准备日子更上一层楼时，迎上“四清运动”，一直嫉妒胡玉音的原国营饮食店经理、今县商业局科长李国香（徐松子）与二流子王秋赦（祝士彬）联手，趁机将她定性为“反革命五类分子”中的“富农婆”，将之派去与原县文化馆馆长、今被人称作“秦癫子”的“右派”秦书田（姜文）一起清扫大街，桂桂身亡。运动中黎满庚昧着良心将胡玉音背叛，谷燕山则一直以老革命军人的标准诚实做人。1966年，“文化大革命”开始，世道的荒谬从不停调换角色的李国香与王秋赦两人身上便可窥见。一起扫街时，胡玉音将自己的悲惨遭遇归罪于秦书田，后者曾在她与桂桂成亲之时唱了后被认为反革命的贺喜歌、在她新房子建成之时写了后被认为反革命的贺喜联。对于胡玉音的怨恨，秦书田并不多做辩解，相反时常暗中将她帮助。慢慢地，两人生出感情，计划着成为一家人好好生活，但前路充满血风腥雨。而在他们最艰难时，谷燕山从没忘伸手一帮。
回复 :主人公玛德是一位正处在人生低谷中的英国童话作家，在Lucky的鼓励下，他只身一人来到云南的山村支教，遇到了古板的村长、严厉的正牌支教女老师和一群天真的孩子，麻烦和幸运也接踵而来。
回复 :Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。SummaryBullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...ReviewDrawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
