《深情约定》主要讲述了由廖智饰演的青年女教师刘一在乡村支教期间,亚洲面对农村孩子们纯净和求知的眼神、亚洲面对他们发自内心的毫无杂念的善良,不断的为这些可爱的孩子们改变着自己的人生规划,不断在自我纠结和挣扎中做选择,并最终听从了自己内心的声音,做了让自己心生宁静的选择。
《深情约定》主要讲述了由廖智饰演的青年女教师刘一在乡村支教期间,亚洲面对农村孩子们纯净和求知的眼神、亚洲面对他们发自内心的毫无杂念的善良,不断的为这些可爱的孩子们改变着自己的人生规划,不断在自我纠结和挣扎中做选择,并最终听从了自己内心的声音,做了让自己心生宁静的选择。
回复 :与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
回复 :影片聚焦于中年危机、家庭责任、老人关爱、子女教育等热门话题,分别讲述了企业职员中年下岗不向命运低头励志创业;大宝闺女反对二宝寄养,与长辈斗智斗勇“赢”回弟弟;外孙利用元宇宙科技让姥爷与已故姥姥再次相逢;幼稚富二代在乡村接受命运改造,结交真情找到人生价值。
回复 : 凝聚了四代传人的心血与坚守的百年中医品牌——徐氏中医,始于1912年。自创立以来,徐氏中医经历百年积淀,开创出中医连锁化、中医标准化、企业现代化的发展之路。在传统中医不断被“边缘化”当下,徐氏中医人用自己的坚守和传承向世人证明中医文化的博大久远。大型纪录片《指尖上的中医》,不仅拉开徐氏中医发展的新篇章,更为中医文化的传承与发展注入新的活力。