丹尼斯·卡伟罗在父亲去世后留下的遗物中发现了爷爷黑罗尼姆的日记，满开上面记载着爷爷在二战中发现了一处宝藏并成为欧洲首富，满开宝藏的线索就在当地博物馆展出的爷爷的马靴中。他带着侄子科内尔、侄子的两个好友麦克斯和塞浦里安以及半路加入的孩子们的保姆一同踏上了寻宝之旅。与此同时，得到宝藏消息的两个盗贼也跟着他们一起上路。追寻着日记中留下的线索，他们锁定了老家普乌图斯克的旧房子，而历经波折他们才发现靴子正跟着丹尼斯另一个侄子罗琦在巡演。两个盗贼得到消息后抢先得到靴子，但靴子中的线索却阴差阳错地被烧毁。就在大家绝望的关头，麦克斯找到了线索，大家重新燃起寻宝斗志，终于找到藏宝图中的那棵大树。众人发现所谓的宝藏只是树干上刻着的爷爷奶奶的名字。经过一番思索，他们终于明白黑罗尼姆爷爷留给家族宝藏的真正含义：经历战争磨砺的爱情和幸福的家庭是这个世界上最宝贵的财富。
回复 :Cempaka是一位武术大师，有“金色手杖战士”之称。她有4个弟子，分别是Biru、Gerhana、Dara Angin。他们都是过去她对手的孩子，她打算将其终极武艺——金色手杖传给其中一个弟子。最终，她选择了Dara作为继承人，成为金色手杖战士。虽然Dara一开始对继承金色手杖非常不安，但最终战胜自己，成为一名出色的金色手杖战士。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
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