一個中年女子,日日必須面臨頑固的老母親逐漸失智、日日失去自理 能力,卻仍固執不願搬離老宅而造成一系列的困擾。而失去 記憶的母親,性格逐漸變的難以預料,甚至越來越發不像女兒記憶中的母親。一連串脫序的行為終於讓女兒心力交瘁,動了想要把這個徒留母親空殼,但她已經再也不認識的人送 去安養院自生自滅的念頭。
一個中年女子,日日必須面臨頑固的老母親逐漸失智、日日失去自理 能力,卻仍固執不願搬離老宅而造成一系列的困擾。而失去 記憶的母親,性格逐漸變的難以預料,甚至越來越發不像女兒記憶中的母親。一連串脫序的行為終於讓女兒心力交瘁,動了想要把這個徒留母親空殼,但她已經再也不認識的人送 去安養院自生自滅的念頭。
回复 :In the nuclear ravaged wasteland of Earth 2087 water is as precious as life itself. The isolated Lost Wells outpost survived the holocaust and the inhabitants guard the source of their existence. Now an evil cult of renegades want control of their valuable water supply. And the villagers are no match for such brute military force. Only one man can help the stricken community - a mercenary living in a distant cannibal city. But even he, and his strange henchmen, may not be able to survive in the world gone wild.
回复 :相同的故事在三个不同的城市(纽约、柏林和东京)里上演。一位爱人必须考虑是否和归家的伴侣同归于好。在每个故事里又卷进其他的人物,前任配偶还有一位保持着“永久”关系的家伙。他们应当如何抉择呢?
回复 :Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...