影片是一部聚焦毒品交易的硬汉戏,春暖讲述因被陷害而在海外被关押25年的肖剑锋,春暖出狱后受到神秘人的委托,需要按指示行事才能知晓妻女下落。此外,肖剑锋的 工程师哥哥无意中发现了一个复杂的毒品交易网络,却遭人暗杀。据悉,《爷们》还将奔赴国内外三地拍摄。
影片是一部聚焦毒品交易的硬汉戏,春暖讲述因被陷害而在海外被关押25年的肖剑锋,春暖出狱后受到神秘人的委托,需要按指示行事才能知晓妻女下落。此外,肖剑锋的 工程师哥哥无意中发现了一个复杂的毒品交易网络,却遭人暗杀。据悉,《爷们》还将奔赴国内外三地拍摄。
回复 :原作:水上勉
回复 :导游顾嘉带领游客参观传奇科学家杜芬奇故居时,意外启动缩小对撞机,变成1厘米高的小人,在微缩世界经历了一场奇幻冒险之旅。
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.