一个步入“四十岁危机”的画家,镇世为了让自己的作品升值,导演了一个“惊天的阴谋”,最后却变成了一个让人啼笑皆非的“闹剧”。
一个步入“四十岁危机”的画家,镇世为了让自己的作品升值,导演了一个“惊天的阴谋”,最后却变成了一个让人啼笑皆非的“闹剧”。
回复 :根据姚雪垠长篇小说《李自成》片断改编。明崇祯十一年。坚持了10年之久的明末农民革命陷入低潮,面临失败的危险。由于官军的疯狂镇压和各家义军相互不和,一同起义的十三家义军相继瓦解,有的溃败了,有的投降了。仅剩下李自成率领的一支孤军,也在潼关的南原陷入官军重围、全军覆没。在乱军中,李自成妻女俱失,仅率13骑突出重围,逃往山中。途中,夜宿林中,又险为当地乡勇所杀,喜遇李自成手下大将郝摇旗杀散乡勇,才得侥幸逃生。李自成逃往商洛山中,偃旗息鼓,准备东山再起。山中人烟稀少,粮草缺乏,严冬已至,又无棉衣,军心浮动。朝廷又派贺人龙进山搜捕,将士闻讯,竟有临阵脱逃者。李自成心情沉重,忍痛在阵前斩了逃兵,以定军心。面对严峻的现实,李自成认识到要重振大业,只有"一马破门而出",去说服已经投降了明朝的另一个农民起义领袖张献忠,重举义旗。原来,十三家义军中张李两家实力最强,互相不服。张献忠在谷城投降了朝廷,在义军中引起连锁反应,招致起义的失败局面。李自成部下将领对他多有怨恨。张献忠为人狡诈多变,又与李自成有仇在先,因此以刘宗敏为首的众将坚决反对李自成贸然前往,认为此行凶多吉少。李自成力排众议,决心铤而走险。张献忠虽然降了朝廷,但并不受信任。朝廷不发粮饷,又不封给官职,各级官吏还要敲诈勒索。张献忠的有心率兵重新造反,无奈外有左良玉20万大军包围,内有巡按御使林铭球坐地监视,难以动手。李自成来到谷城,希望张献忠与他相互呼应,重新起义。张献忠虽有此心,但又不愿将来推翻了明朝,李自成与自己争夺天下。军师徐以显也力劝张献忠除掉李自成,以绝后患。可张献忠自己也看出,没有李闯王,自己一支孤军也难成功。两人谈判再三,张献忠犹豫不定,终不能决。李自成于危机四伏中沉着镇定,与张献忠坦诚相见,张献忠顾及绿林义气,否定了杀害李闯王之主张,两人虽各抱目的,但终于结成同盟。一年后,两支义军果然共同推翻了明王朝。
回复 :杏子的父亲是一名搜救犬训练员,在杏还小的时候,父亲就不幸的离开了她,然而,杏却继承了父亲的遗志,发誓也要成为一名和父亲一样优秀的训练员。一次偶然中,杏子遇见了一只无家可归的拉布拉多寻回犬,善良的杏子收留了它,取名小粉豆。然而,小狗的身体实在是太虚弱了,无法成为一名搜救犬,不信邪的杏子随即展开了对小粉豆的训练。\r然而,随着时间的推移,虽然小粉豆一天一天的长大着,但它的本领却没有丝毫的长进,它越不过障碍物,嗅不清气味,甚至有时候丝毫不理会杏子的命令。某日,小粉豆忽然晕了过去,原来,高强度的训练透支了它的体力,直到这时,杏子才开始察觉,也许小粉豆作为一只宠物狗会比成为一只搜救犬快乐得多。
回复 :A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.