欧美A 25-30-year old Hacienda-owner (David Hemmings) is misbehaving on women due to his traumatic youth; his mother (Alida Valli) covers him for his sadistic actions; however, when he wants the daughter of the mansion supervisor to serve for him, things seem to get totally out of hand. He 'tames' her, but when 'tamed' and finally married, the young woman (Andrea Rau) soon becomes the dominating person in the family.
回复 :围绕着“平凡”的话题展开，例如不断增长的激励市场、神棍、严肃的育儿问题，以及像门铃、他做的沙拉和青少年的荒谬之处等“棘手”的问题。
回复 :昭和初年，私家偵探魚塚被一老婦人委託調查被綁架女兒的下落。偵探追查下去，卻發現事件和一部消失了的電影《永遠的謎》有關，這部電影比號稱日本最早起用女性演員，歸山敎正的《生之光輝》更早有女演員表演，但被警察禁映而消失。鏡頭跟著主角深入淺草的遊樂區，探索默片年代的戲院，解說的辯士、現場配樂的樂隊、放映前的雜耍表演，當年的電影是很「綜合」的娛樂…… 完全和電影業無關的新人導演林海象一鳴驚人的處女作，比《星光夢裏人》早近三十年採用仿默片的拍法，全部黑白攝影，人物對白全部用字幕卡代替，聲軌只有配樂、效果音等，引領觀眾暢遊世紀初的夢工場。
回复 :Masked figures with machine guns march into the secondary school in Karatas, take the pupils hostage, and execute one of them. They make no demands. Silent terror is their modus operandi. Seeing as the army will take two days to arrive due to a snowstorm, maths teacher Tazshi decides to assemble his own assault team: his ex-wife, the gym teacher, the cowardly school principal, an alcoholic night watchman, the village idiot, and an incompetent chief of police.What follows is no traditional action film, but a thriller with snatches of comedy, in which the enemy isn’t hidden behind masks, but is in the minds of the liberators. Before they act, they have to overcome their personal demons. Comparisons to the school hostage-takings in Beslan and Kazan are obvious, yet Karatas – the mythical village where much of director Adilkhan Yerzhanov’s work is set – could be anywhere. It is universally acknowledged that crises bring out people's true natures.
