牛爱国（毛孩饰演）是县城里的鞋匠，亚洲他姐叫牛爱香（刘蓓饰演）。牛爱国要离婚，亚洲牛爱香想结婚。牛爱香年轻时谈恋爱受到伤害，直到快40岁才为了找一个能说话的人，和能说会道的厨师宋解放（范伟饰演）结婚，可是婚后却发现俩人也没话说。弟弟牛爱国因为“说得着”和庞丽娜（李倩饰演）结婚，然而经历了10年婚姻后，他们彻底没话说了。牛爱国继而发现老婆出轨婚纱店的蒋老板（喻恩泰饰演），他上演了一系列追踪、捉奸、拖着不离婚的戏码，内心经历了愤怒、冷静到释然的激烈过程。当牛爱国面临崩溃的时候，其他人压根不在意他，甚至是他最亲的战友和姐姐都无法对他的绝望和耻辱感同身受，只是劝他忍了。最后，牛爱国在偶遇的老同学章楚红（孙茜饰演）那里听来一句话：“过日子是过以后，不是过以前。”他仿佛一下子看到了生活的出路。
回复 :陈国明（吴镇宇 饰）和莫心怡（朱茵 饰）是一对夫妻，新婚燕尔的两人感情十分要好。一次意外中，心怡的头部中弹被送往医院急救，好在大难不死。可是，好不容易从漫长的昏迷中醒来，心怡的生活中却开始出现各种各样奇怪的幻觉，更诡异的是，在心怡的幻觉中死去的女人，竟然在现实中真的被杀害了。心怡住进了精神科，而身为警察的国明正忙于调查一宗疑点重重的谋杀，在勘察作案现场时，国明震惊的发现死者起死回生，将他送往医院后，院方告诉国明，伤者急需输血，可是他的血型却极为罕见。巧合的是，心怡拥有和伤者同样的血型。国明前往妻子的病房，然而，在紧要关头，心怡却神秘失踪了。
徐志强
回复 :우리 몸에 버튼이 있어. 그 버튼을 누르면 안 좋은 기억들이 싹 지워져.나쁜 거 쪽팔린 거 안좋은 거 전부 다…근데 자기는 모르고 다른 사람한테만 보여. 진심이 있는 사람에게만.정남은 명품 대신 짝퉁을 배달한다. 진이는 꽃 대신 몸을 판다.세탁소 앞 골목길, 진이가 숫자를 세며 누군가를 기다린다. 하지만 아무도 오지 않는다. 그런 진이를 정남은 계속 지켜본다. “지금 몇 시예요?” 몇 번 말을 걸어보지만 진이는 매번 처음인 듯 냉랭하기만 하다. 사창가 뒷골목에서 포주인 용수에게 맞고 있는 진이를 정남이가 구해주었을 때도 이들은 처음 만난 듯 어색하다. 그러던 어느 날, 건달 손님에게 두들겨 맞고 쓰레기 더미에 쓰러져 있는 정남을 진이가 발견하고 자기 집으로 데려간다. 거리를 배회하며 엇갈리기만 했던 두 사람은 함께 지내고 여행을 떠나는 등 가까워진다. 사랑을 위해 새로운 삶을 꿈꾸는 두 사람, 이들의 사랑은 이루어 질 수 있을까?
乱弹阿翔
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
