该片是一部三段式主题（爱和性）电影，新车由米开朗基罗•安东尼奥尼（《危险临界点》）、新车史蒂文•索德伯格（《平衡》）和王家卫（《手》）三位导演联合执导。《手》讲的是1960年代的香港，年轻的裁缝（张震）多年不计回报地爱着交际花华小姐（巩俐）的故事，影像华丽，充满了质感又略带伤感。《平衡》的故事发生在1950年代的纽约，广告人尼克•彭罗斯（罗伯特•唐尼）总是被春梦困扰，只得向他的心理医生珀尔（阿兰•阿金）求助，基调虽荒谬反常，却也可看成颇有自嘲意味的幽默喜剧。《危险临界线》则仍是安东尼奥尼一向关注的现代社会中的男女关系主题，哲学味道浓烈。
回复 :1980年比利时的默兹河畔，钢铁厂一家接一家地倒闭，成千上万的工人不得不另谋生路，居住于瑟兰的钢铁工人法布里斯也未能幸免于难。原本以丰富的钢铁知识和精湛的业务水平引以为傲的他，觉得自己仿佛一夜之间成了身无一技之长的废人，从此一蹶不振。深爱他的妻子席琳为了帮助丈夫振作起来做了各种努力，却仍换来他的不告而别。对丈夫的爱使她始终不曾放弃寻找，然而这份爱又能否拯救那个心如死灰的男人？（小易甫字幕组）
吕方
回复 :They do not show war in this film, they show people and their dreams and hopes ruined by the war. It is not just another "war film", but it rises to the level of a true Tragedy. Not a propagandist or a sob story. Many critics compare this film to another famous Russian war drama, The Cranes Are Flying. I still think that The House I Live in is better, though, if you've seen The Cranes and liked it, most probably you'll love this one either. Both films were shot in 1957 and treat the war theme from the similar humane perspective. I wouldn't cut a single shot from the film, all of them are just in place. I do not know if it can be found outside Russia, if yes, don't miss it.Many critics pointed out resemblances between Dom, V Kotorom Ya Zhivu (The House I Live In) and the better-known Soviet film The Cranes are Flying. Set in the years prior to and during WWII, the story centers on the various residents of a co-op house. Though the directors never show the war itself, its tragic impact is felt throughout the film. And despite the potential for Soviet propaganda, what sticks in the mind is the universality of the experiences endured by the leading characters. Dom, V Kotorom Ya Zhivu was one of Russian's entries in the 1958 Brussels Film Festival.
回复 :在前集《辛巴达历险记2013》结尾，辛巴达、阿拉丁和艾露露成功地完成了独眼巨人城堡的冒险，得到了一盏奇妙的神灯。眼看大家就要实现各自的美好愿望了。但是从神灯里出来的神灯精灵却鬼使神差的遭遇了失忆，使用魔法来给三人实现愿望的计划成了泡影。三个调皮鬼马的小伙伴，当然不甘心失败，决心联手前往魔法岛乐园解开愿望实现的谜题。在这个完全未知的魔法岛上，一路困境重重，冒险王索罗汉被石化、艾露露被坏蛋抽取了记忆、辛巴达和阿拉丁被迫走散、神灯大叔再次陷入耶德大王的圈套之中，面对种种困难，他们能够成功闯关神秘的魔法岛吗？
