开车为生的平凡青年陈自在，年中偶然发现外星人竟一直伪装成人类生活在地球，年中偶尔露出蛛丝马迹的他们被不明真相的人类称为“妖精妖怪”。神秘组织“猎人公会”专门负责对付那些有着邪恶动机的外星人，暗中保护地球。陈自在在一次意外中卷入“猎人公会”与外星人的纷争，并得知自己居然是王牌“猎人”的后代并继承了家族的祖传“宝器”——请神灯。请神灯是一个神奇的外星黑科技，可以将人的精神力量3D打印到现实，因此陈自在理论上可以复制任何他已知超级英雄的力量，因而变得无所不能，然而事与愿违，胆小懦弱的他总请错神，把场面搞得无比尴尬......
回复 :夏威夷念大学的香港富豪子弟李泽星（周星驰 饰）学业无成挥金如土，是校园一霸，终因搭上黑帮老大情妇遭黑帮追杀，身体被炸成碎片。 在李泽星父亲（吴孟达 饰）的请求下，教授（徐锦江 饰）将李泽星全身人造复原，并把最新研制成功的无敌芯片置入其身，令其摇身一变成为无敌“百变金刚”。黑帮老大得知李泽星复活后，将写有战争程序的芯片植入手下身体，令其变身“铁甲威龙”前来追杀李泽星。为赢得暗恋的女同学虫虫（梁咏琪 饰）的芳心，李泽星决意重塑形象，奋力与“铁甲威龙”展开大战。
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
回复 :《王的男妃》由天虹世纪影视文化传媒（北京）有限公司出品制作，聚米众筹独家宣发。影片由拍摄《礼物》、《系花》、《时光机》、《窒息》的曹毅独立导演、编剧，《谢文东》的导演林弢担任出品人，胡宗洋监制，王威制片，杨佳磊担任制片人剪辑指导。《王的男妃》引入全新概念，故事背景设定于一个女权统治国家的时空里。男女地位大逆转，把当今影视屡拍不爽的女子宫斗情节定位于男子身上。本片颠覆了以往宫斗片中男尊女卑的局面，将女性的独立、智慧、强大推向极致。男色当道的今天，该剧更是将充分展现男子争奇斗艳的场面，预计创造“男子宫斗”的神话。
