剧情简介
刑事ドラマに憧れて警察官となったヒロム。しかし現実は厳しく、吧春相棒のマモルとともに今も街の交番勤務で相棒のマモルとなる。ある夜のパトロール中、吧春屈強な男が覆面男にレ●プされている場面に遭遇する。ヒロムを無視して行為を続ける覆面男に銃をむけるが一撃で倒され、銃を奪われてしまう。おもちゃの銃でカモフラージュし、覆面男を血眼になりながら探すヒロム。街の雑踏の中、覆面男の体型に似た男を見つけ、尾行するが…。
xing吧 春暖花开app
刑事ドラマに憧れて警察官となったヒロム。しかし現実は厳しく、吧春相棒のマモルとともに今も街の交番勤務で相棒のマモルとなる。ある夜のパトロール中、吧春屈強な男が覆面男にレ●プされている場面に遭遇する。ヒロムを無視して行為を続ける覆面男に銃をむけるが一撃で倒され、銃を奪われてしまう。おもちゃの銃でカモフラージュし、覆面男を血眼になりながら探すヒロム。街の雑踏の中、覆面男の体型に似た男を見つけ、尾行するが…。
回复 :Series two joins Chris Carson six months later. Chris is attempting to rebuild his life, and his relationships, desperate to avoid the corruption that nearly sucked him under. He is trying to be a better police officer, a better man, and most importantly, a better father to his daughter Tilly. All whilst still dealing with the relentless trauma of being a night response officer. Chris wants a day job. Chris needs a day job. But is he prepared to risk everything to get one?
回复 :入围塔林电影节影评人之选竞赛。Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)
回复 :剧集讲述了十二个关于爱、欲望与孤独的故事。比如一个疯子宣称通过一个小盒子创造出了人类文明，苦闷孤独的人在“眼泪森林”中寻找自我救赎，一个漫画家突然与一名杀人凶手共享了视线，一个得了“无聊”绝症的患者到底如何求生。这是一部关于希望与治愈的迷你剧集。
