高哥（高捷）接到小麻花（伊能静）的电话，国产赶到夜市见到被揍得鼻青脸肿的扁头（林强），国产没动手而是找到刑警欲讨公道，却被反抓，明白自己的尴尬处境——原来“弃武从文”只会使自己更难堪。可是以前混黑社会的日子，想想得来的也只有失落。因为不懂与时俱进，高哥显得很“可悲”，天早换成了另外的天，他却仍固守着原来的那朵云。30岁的他顾家、重情义、有思想，不想在打打杀杀中混日子，可是却无力改变环境，只能想办法适应环境，然而适应的结果，是事业与爱情的双失败。当他和小麻花、扁头在一起，能短暂放松身心，但是他们在食物链中处于相同的一环，能做的，也只是尽量要笑声持久一些。
回复 :80年代初的一个晚秋，边远山区的四等小站枫亭站呈现出一片热气腾腾的景象。养鸭专业户泉根赶着大批亟待外运的凤头肥鸭，同十几个亟待运货的货主围住货运员哈小乐吵闹，甚至跑到卜站长那里去告状。看到电扇厂的王厂长也吵着要运电扇，卜站长火了：你那些退货电扇，运出去，退回来，来回折腾，这铁路成了你踢来踢去的足球了！这几年，小站的货运量连翻了4倍，大批货物来不及运，车站场地都堆满了。为此，卜站长心急火燎。这时，精明能干的哈小乐献上一计：将当年的枫亭烧鸭王二请出来，办个烧鸭联营店，这样就能解决大批活鸭的外运问题。不料，省食品店的吴经理捷足先登，已经请走了烧鸭师傅王二。一计不成，站长和哈小乐又想起另一高招，最终使王二改变了去省里的主意，高兴地留在枫亭，办起了烧鸭联营店，吴经理则改为和枫亭站签订在省里代销烧鸭的合同。同时，王厂长也请到省里的电扇厂的高工程师当顾问，提高了产品的质量。不久，枫亭站被改为三等站，卜站长也主动让贤，全力帮助年轻的站长哈小乐工作。枫亭站在日新月异的变化中前进，枫亭站的人们在笑声中迎来更加美好的明天。
胡佳琛
回复 :夜色浓重，腐烂的尸体上流出来黯黑冰凉的血，死乌鸦蜿蜒覆盖了公路尽头，空气中弥漫着令人窒息的味道，诡异凄厉的惨叫声遍布小岛……这里是泰国的R61猛鬼公路，不断发生着骇人的车祸,被称作是无人生还的死亡之路。周晴和周喜（邓家佳 一人分饰）是一对年轻漂亮的孪生姐妹。妹妹周喜平静的生活近来一直被有关车祸的噩梦笼罩。与此同时，在泰国工作的姐姐突然神秘失踪。各种离奇事件接踵而至，周喜隐约感到姐姐遇到危险，她毅然辞去了工作，踏上了寻找姐姐的旅程。第一次出门的周喜只身来到姐姐在泰国的寄身之所。在这个诡异和充满恐怖色彩的小屋里，周喜遇到了一个陌生男子,这个名叫张来（陈志朋 饰）的人自称是姐姐的男朋友。担心周晴安全的周喜和张来顺着地图指引前往“猛鬼公路”寻找周晴。同行的还有张来的泰国朋友“黑龙王”。一进入“猛鬼公路”的地段，三人就遇到了各种惊险和离奇的遭遇。一辆大货车确如同鬼魅般纠缠着众人，展开了生死追逐，杀手则步步紧逼如影随形，当周喜幸运的找到周晴，自以为揭开一切谜底时，却掉入一个又一个精心设置的陷阱……
回复 :"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
