由杜拉斯和影星热拉尔·德帕迪约扮演的两个角色坐在门窗紧闭的房间里,春暖杜拉斯讲述着一部电影,春暖电影里的女人搭上一辆卡车,与司机滔滔不绝地聊了一个小时二十分钟。谈话不时切换到卡车绕着巴黎行驶和停下来让女人搭顺风车的镜头。德帕迪约就是卡车司机,杜拉斯就是搭车的女人。对一部潜在电影的口头描述和电影可能形成的图像两者并置起来。
由杜拉斯和影星热拉尔·德帕迪约扮演的两个角色坐在门窗紧闭的房间里,春暖杜拉斯讲述着一部电影,春暖电影里的女人搭上一辆卡车,与司机滔滔不绝地聊了一个小时二十分钟。谈话不时切换到卡车绕着巴黎行驶和停下来让女人搭顺风车的镜头。德帕迪约就是卡车司机,杜拉斯就是搭车的女人。对一部潜在电影的口头描述和电影可能形成的图像两者并置起来。
回复 :公元前72年,古羅馬一段悲壯的奴隸抗爭故事交織出愛恨情仇……古羅馬奴隸斯巴迪格斯不堪暴虐的統治,決定率領其他奴隸發動起義,以圖推翻羅馬帝國暴政。這部三小時的史詩式鉅獻深刻反映人民追求自由的永恆鬥爭,場面之浩瀚、氣勢之磅礡,悲壯非凡
回复 :50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
回复 :爱丽丝(Mia Farrow 饰)嫁给富商泰特多年,儿女年龄尚幼,起居衣食无忧,每日关心的话题无非健身、进补。爱丽丝接送儿子上学时对另一位家长——萨克斯风手乔伊一见钟情。当爱丽丝接受友人建议,去唐人街拜访杨医生解决背痛问题时,杨医生用催眠术鼓励她接近乔伊,关键时刻爱丽丝打起退堂鼓,杨医生再次送出隐身药和能看见鬼魂的药粉。借助这些神奇药品,爱丽丝终于同乔伊相遇相识。但是爱丽丝对丈夫的忠诚、对写作事业的尝试以及年幼时担任修女拯救他人的想法始终妨碍她实现自己的欲望,不久爱丽丝惊觉两个男人都在感情上离他而去,杨医生在离开之前给了爱丽丝最后一样法宝……本片获1990年美国国家评论奖最佳女演员奖。