剧情简介
每所學校都有自己的恐怖傳說，牵挂在這裡，牵挂若聽到了詭異聲音，千萬別回頭…。這所明星學校培育出無數菁英學生，卻有著極不合理的學長學弟制陋習，一年級新生被迫以「奴隸」身分生活，永遠只有被稱為「國王」學長姐霸凌的份。飽受欺凌的高一新生艾力克斯（安格尤納達 飾），只有跟同年的美琪（阿曼達蘿爾思 飾）相處時，才能稍獲喘息。然而，有天艾力克斯被學長姐強迫用筆仙召喚傳說中的鬼魂，卻引來神秘詛咒，學生們一個接一個離奇喪命，校園一夕之間成了駭人地獄…
牵挂
每所學校都有自己的恐怖傳說，牵挂在這裡，牵挂若聽到了詭異聲音，千萬別回頭…。這所明星學校培育出無數菁英學生，卻有著極不合理的學長學弟制陋習，一年級新生被迫以「奴隸」身分生活，永遠只有被稱為「國王」學長姐霸凌的份。飽受欺凌的高一新生艾力克斯（安格尤納達 飾），只有跟同年的美琪（阿曼達蘿爾思 飾）相處時，才能稍獲喘息。然而，有天艾力克斯被學長姐強迫用筆仙召喚傳說中的鬼魂，卻引來神秘詛咒，學生們一個接一個離奇喪命，校園一夕之間成了駭人地獄…
克里斯泰尔盖尔
回复 :由於急冻博士的妻子得了重症已在死亡边缘,不顾一切的急冻博士重返高咸市并将蝙蝠女掳走打算作为他妻子的活体器官供体,蝙蝠侠和罗宾必须在有限的时间内阻止急冻博士的器官移植手术 。
回复 :大学时期，宋倩（朴韩星饰）与娜娜（辛芷蕾饰）、羽菲（李昕岳饰）、游峰（张皓然饰）、宏瑞（杨帆饰）、杨铮（孙绍龙饰）几个人是非常要好的朋友。直到认识了新生小艾（章婷婷饰）。漂亮的小艾让本来亲密无间的小团体产生了裂痕。特别是娜娜，处处针对她，只有宋倩努力维系着大家的关系。渐渐开始有不好的传言在学校漫延——小艾一直被视为邪恶的化身，所有与她接触的人都会有厄运。很快宏瑞发生意外摔伤腿，错过一场重要比赛。宋倩几个人在学校的屋顶阁楼玩起笔仙，结果笔仙也验证了小艾的不详，当晚小艾便跳楼自杀了。大学毕业后，宋倩和她的同学们事业都发展很顺利，有的成了大明星，有的成为了企业精英，而直到娜娜从美国回来，怪事接二连三的发生，每个人都开始遇到危险，谜底一层层揭开，原来大学时代小艾的死，是另有原因…bbb
萧闳仁
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.