由米高安德逊导演的本片是部大块头的战争冒险片,免费描述二次大战期间,免费德国人已研制成功V2火箭,使用流动发射车,无法定位及摧毁,令盟军大为恐慌。于是,伦敦方面下令,将德国地下工厂兼发射场一举摧毁。一群受过训练的科学家空降欧洲,负责摧毁纳粹的火箭工厂。片中动作场面甚多,具有一定的娱乐性。
由米高安德逊导演的本片是部大块头的战争冒险片,免费描述二次大战期间,免费德国人已研制成功V2火箭,使用流动发射车,无法定位及摧毁,令盟军大为恐慌。于是,伦敦方面下令,将德国地下工厂兼发射场一举摧毁。一群受过训练的科学家空降欧洲,负责摧毁纳粹的火箭工厂。片中动作场面甚多,具有一定的娱乐性。
回复 :远山高良是日本著名艺术家,年逾古稀,其本人对SM虐文化的痴迷与造诣可谓颇深,但内心一直有所遗憾,总希望在临终前达成自己的一个秘密心愿。远山之妻静子(杉本彩饰)年轻貌美,温柔贤淑,一直对丈夫敬爱有加,并协助其完成工作。然而,远山年迈,心有余而力不足,二人性生活并不和谐。一次偶然与丈夫的交流,让静子得以一窥神秘的性虐文化,从此陷入无尽的幻觉之中。远山有一个学徒叫池上洋介(远藤宪一饰),身住巴黎,一直受远山资助,却多年完成不了一幅作品。远山派静子去巴黎要画,走入池上破旧颓败的公寓里,静子撞破池上与其妹妹的暧昧关系。性情暴躁的池上一直为无法创作而苦闷,美丽如画的静子一下给了他灵感。二人由敌意转为暧昧的情欲关系,而静子在给与池上艺术激情的同时,自己也开始一步步地体验性虐独特的美感与兴奋。就在二人沉醉的时候,危险却一步步袭来,静子不知这所有的一切其实只是个早已安排好的局.....
回复 :伊森(伊桑·恩布里 Ethan Embry 饰)和海莉(索拉·伯奇 Thora Birch 饰)是情同手足的兄妹,两人之间感情十分要好。母亲凯瑟琳(哈莉·简·科扎克 Harley Jane Kozak 饰)和父亲麦克(杰米·谢尔丹 Jamey Sheridan 饰)早年离异,两个孩子的唯一愿望,就是能够趁着圣诞节的机会,让父亲和母亲重新走到一起,为此,古灵精怪的两个小鬼设了一个计谋。半路杀出的富商托尼(凯文·尼龙 Kevin Nealon 饰)彻底搅乱了伊森和海莉的计划,他对美丽的凯瑟琳一见钟情,并且向其展开了火热的爱情攻势。与此同时,伊森和她暗恋的女孩史蒂芬妮(Amy Oberer 饰)之间的关系亦发生了问题,对于他来说,想要过好这个圣诞节可真是不容易。
回复 :You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.源自:https://iffr.com/en/iffr/2023/films/faces-of-anne