类子（板谷由夏 饰）和阿佐绪（高冈早纪 饰）是学生时代的好友，海胆在那段值得纪念的青葱岁月里，海胆两个女孩同时爱上了名叫正巳（村上淳 饰）男孩。正巳是一位沉迷于三岛由纪夫美学的文艺青年，他身上所散发出来的忧郁和内敛让类子和阿佐绪十分着迷。然而，为了维持自己同阿佐绪的友谊，类子选 择了将这段感情深深地埋藏在心底。一晃眼十年过去，很久没有联系的三人在阿佐绪的婚礼上重逢了，阿佐绪的丈夫，是一位比她大三十一岁的精神科医生。与此同时，一场车祸让正巳失去了性能力，他的人生因此陷入了低谷之中，而类子与正巳重逢后才发现，自己依然疯狂地爱着这个男人。
回复 :在克里特岛东北：一个男子被警察从荒无人烟的史宾纳隆加小岛押送到主岛上。这个男子是一个竖琴音乐家，坚持对自己的经历只字不提。其他人则开始对此进行猜测。
史黛芬妮
回复 :讲述男孩亚当被诊断患有精神分裂症，他去到一所新学校就读，开始服用新药，一开始效果看起来很不错，不过很快真相大白，他被迫做出一些艰难的决定。罗素饰演亚当的梦中情人玛雅，罗伯饰演丽贝卡，是亚当幻觉中的主要角色，作为他不能表达的情绪的管道。Nick Naveda编写剧本，基于Julia Walton所著同名小说，Mickey Liddell＆Pete Shilaimon(《第一夫人》《类人猿行动》)制片。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
