剧情简介
《知己》编织了一段关于儿时好友的错综复杂的童话般的故事，年修他们之间有着不同寻常的牢固纽带，年修以及很多奇妙的秘密。当这两个年轻人都处在前途发展最关键的时刻，一连串的谎言、赌博和谋杀，导致其中一人无辜入狱。11年铁窗生活之后，他决心讨偿，不惜一些手段。
勇者王FINAL05年修改版
《知己》编织了一段关于儿时好友的错综复杂的童话般的故事，年修他们之间有着不同寻常的牢固纽带，年修以及很多奇妙的秘密。当这两个年轻人都处在前途发展最关键的时刻，一连串的谎言、赌博和谋杀，导致其中一人无辜入狱。11年铁窗生活之后，他决心讨偿，不惜一些手段。
回复 :茜莱丝特·加西亚是一个寡妇，在哈瓦那过着平静的生活，每天在当地天文馆当导游。有一天，当几个古巴人神秘地消失在稀薄的空气中时，古巴政府宣布，外星人一直伪装成人类生活在古巴，而这些外国客人现在正通过邀请人类访问他们遥远的世界来回报他们的好感。这一切对茜莱丝特·加西亚来说都很有意义——她一直认为她的俄罗斯邻居波琳很古怪，但现在才知道她真的来自另一个星球。茜莱丝特·加西亚发现波琳给她留下了一份个人邀请，邀请她加入政府的筹备计划，前往遥远的未知之旅。
凡人二重唱
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :三个女高中生趁着暑假去东京探望当设计师的恵子。结果却变成帮助惠子的丈夫制造热气球。这个热气球是用作送给一个在交通意外中伤了腿的男孩的礼物。三个女孩为了帮助筹集经费还当了各种各样的兼职。最终他们如愿以偿，亦登上了热气球翱翔天际。
