薄荷（孙茜 饰）是一名电视台主持人，欧美由她所主持的节目《同学会》拥有着很高的人气和收视率。某日，欧美上司俞天（李泰 饰）找到了薄荷，希望她能够找来十五年前的一干大学同学们，以他们的真实经历为资料做一档专题节目，尽管自从毕业后，薄荷就和同窗们断绝了来往，但“军令如山”，薄荷只得硬着头皮答应了下来。十五年时光荏苒，如同白驹过隙，昔日的同学好友们如今再度相见，在高兴之余，少不了感慨与淡淡的忧伤。让众人百思不得其解的是，薄荷独独不愿意联系旧闺蜜紫苑（汤晶媚 饰），而这次重逢，让薄荷深深埋藏在心底的一个秘密渐渐浮出了水面。
回复 :影片讲述了自精绝古城回来后，Shirley杨带陈教授回美国治疗，却发现背上长出眼球状的红斑。胡八一与王胖子、大金牙前往陕西古蓝县进货遇到Shirley杨。四人进到一座幽灵冢险些葬于人面蜘蛛的果腹，出来后，胡八一和王胖子也长出红斑。Shirley杨拿着外公鹧鸪哨的笔记，发现黑水城的通天大佛寺中，很有可能藏有解开红斑诅咒的关键——雮尘珠。三人沿黄河继续进发，按照笔记指引进到寺内，在对抗黑玉邪神之时，发现一藏宝箱，里面究竟藏着雮尘珠，还是暗藏凶险？摸金小队又能否成功揭开鬼眼红斑的诅咒谜团呢？
郭敬明
回复 :王后阿尔克墨涅（罗姗妮·麦琪 Roxanne McKee 饰）无法忍受丈夫安菲特律翁（斯科特·阿特金斯 Scott Adkins 饰）对人民的残暴统治，向神祈求帮助，于是，她诞下了背负着推翻王权统治的责任的儿子赫拉克勒斯（凯南·鲁兹 Kellan Lutz 饰），可是，对于自己的使命，赫拉克勒斯一无所知。国王宠爱长子伊菲克勒斯（利亚姆·加里根 Liam Garrigan 饰），却对赫拉克勒斯嗤之以鼻。之后，赫拉克勒斯爱上了美丽的赫伯公主（盖娅·威斯 Gaia Weiss 饰），然而，国王却将河公主许配给了伊菲克勒斯。伊菲克勒斯虽然表面上待弟弟十分宽厚，背地却是个两面三刀的小人，为了能够和所爱的人双宿双飞，赫拉克勒斯决定同赫伯公主私奔，然而却被护卫拦下，等待着他的，将会是残酷的惩罚。
回复 :After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette.“With NOROÎT, Jacques Rivette has joined Federico Fellini as one of the great autobiographical surrealists of the cinema” (John Hughes). Based on the bloody Jacobean play, “The Revenger's Tragedy,” and influenced by samurai films, Fritz Lang, and Samuel Fuller, NOROÎT was shot in a fifteenth-century chateau and a twelfth-century seaside fortress, and stars Geraldine Chaplin as the ghostly Morag, out to avenge the death of her brother who was murdered by a group of women pirates. With its emphasis on ritual, fantasy, and spectacle, “NOROÎT contains the most beautiful images and sounds of any Rivette film” (Jonathan Rosenbaum, Sight & Sound ).
