纪康（孙浩俊 饰）因父亲早逝，国产母亲含辛茹苦地将他养大，国产让他立誓要让母亲过上好日子，但不学无术的他，整天打架闹事，甚至捲入偷窃案件，让母亲顺玉（金海淑 饰）既无奈又心疼。而岛上的村民却对替同侪扛罪的纪康，讚誉的说道：「这麽有义气的小孩，长大一定会成大器。」但这句“会成大器＂却毁了纪康的一生。在因缘际会下，纪康来到首尔闯荡，离开前留下：「妈，您等著！我会成功的。」一心急著成功的纪康，却走捷径踏上偏差的路…逞“匹夫之勇＂让他沦为阶下囚，最让他母亲心痛的是他被判了死刑。纪康因渺无希望而惶恐不安，更甚者是他因此自暴自弃一心寻死。当他深感绝望之际，一封目不识丁的母亲写来的亲笔信，唤醒了他对生命的一丝希望。
回复 :中国女孩夏星溪（许芳铱饰）独自来到马来西亚北部小城亚罗士打（Alor Setar)，因为自行车爆胎，她经历了三段截然不同的奇遇，先后遇到了本地女孩爱玲（黄若熙饰），三个闲汉，以及作家皮埃尔（帕斯卡尔·格雷戈里饰）。她用不同的身份向人们介绍着自己，仿佛有不可言明的秘密。而 旅程带给她的，也是始料未及的体验。本片由梅峰担任艺术指导，徐枫、周征源担任监制。本片入围第75届威尼斯国际电影节威尼斯日单元，获未来之狮（最佳处女作）奖及威尼斯日导演奖等多项提名，南特三大洲电影节“银气球奖”。
回复 :生日没有任何人祝福，这样过着寂寞生活的大学生次郎（小出惠介饰）在20岁生日那天突然遇到了生命中的那个“她”（绫瀨遥饰）。二人共渡了一个美好的夜晚。是夜，“她”从次郎的眼前消失了。一年后的生日，本以为还将回归寂寞生活的次郎再次遇到了“她”。这一次，“她”讲出了惊天的故事：“我是未来次郎你创造的机器人，回到过去来保护你免受灾难。”就这样，“她”住进了次郎家中，开始了与次郎的同居生活。灾难似乎没有离开次郎的意思，但次郎与她的感情已在其中萌发。爱与时间的感人故事，守护未来的约定，开始今天的生活。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
