在某中学任教的理科教师城户诚（沢田研二 饰）看似悠闲自在，亚洲但是心中却有浓重的厌世情绪和反社会倾向。他白天认真授课，亚洲晚上则在自己的寓所进行一项惊世骇俗的研究。原来他竟在秘密制造小型原子弹，为此他不惜袭击驻地警察抢夺手枪，更潜入位于茨城县东海村附近的核动力研究所盗窃原料，以获得制造原子弹必须的钚和铈等重要元素。不久，他的作品顺利完成，城户扬言炸毁国会议事堂，并要挟政府按照他的指令行事。与之曾有一面之缘警察山下满洲男（菅原文太 饰）与这个疯狂的盗日者展开了连番纠缠……本片荣获1979年电影旬报十佳影片第2名、2009年电影旬报评选日本电影遗产200部第7名。
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
陈艾玲
回复 :本片由加泰罗尼亚导演卡拉·西蒙执导，讲述了一个传统乡村家庭中桃子采集活动日渐式微的故事，当有人提出要将桃树砍伐并安装太阳能电池板以此适应新的方式时，这家人开始了捍卫自己土地的“战斗”。本片以使用非专业的加泰罗尼亚语演员为特色，于第72届柏林国际电影节主竞赛单元中作世界首映，并获颁最高荣誉金熊奖。
回复 :明治中期，九州赌徒帮派矢野组组长被人暗杀，其独女龙子（藤纯子 饰）解散帮会，以父亲尸体旁遗落的钱包为线索四处寻找凶手。龙子怀揣小太刀，五年间走遍全国各地的赌场，因出色的赌技而赢得“红牡丹阿龙”的绰号。在岩国某赌场，龙子拆穿庄家作弊手段，引起纠纷，幸得流浪赌徒片桐（高仓健 饰）出手相助。与片桐分手后，龙子得知曾见过杀手容貌的阿新的下落，遂启程寻找，并在道后与熊虎组组长虎吉（若山富三郎 饰）结为兄妹。经熊虎推荐，龙子和阿新前往拜会大阪千成一家第二代首领加仓井（大木实 饰），却偶然在此得知真相……
